Pure Imagination: SSA Choral Octavo
From Charlie and the Chocolate Factory
Words and music by Leslie Bricusse and Anthony Newley / arr. Mark Hayes
Item: 00-PO-0005692
Minimum order quantity: 20 copies
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More about this title
About the Composer: Leslie Bricusse
Leslie Bricusse is a British lyricist and composer whose theatrical works have shaped popular music across stage and screen. He collaborated with Anthony Newley on songs that became standards, including the Oscar-nominated "Pure Imagination" from Willy Wonka and the Chocolate Factory. His gift for crafting lyrics that blend whimsy with emotional depth has made his catalog enduring material for choral arrangers and music educators.
Why we love this
Mark Hayes' SSA voicing opens this treasured movie moment to choirs that thrive on accessible yet artfully crafted arrangements. The harmonic language feels contemporary without losing the song's warmth, and the orchestral sensibility translates beautifully to choir voices without needing a full ensemble. Directors consistently find that this arrangement builds audience connection in a way that feels both genuine and musically substantive.
What to expect
Shimmering and open, with a childlike sense of wonder threaded through lush harmonies that feel both dreamy and grounded. The arrangement honors the song's theatrical roots while creating moments of genuine intimacy that resonate in concert settings.
Who it's for
SSA choirs at the middle school through adult community level will find this arrangement welcoming. It requires solid intonation and blend but rewards those skills with a deeply gratifying sound that feels sophisticated for the learning curve involved.
How to get the most out of it
- Shape the melodic line through the phrase "Come with me, and you'll be in a world of pure imagination" with legato singing and careful attention to vowel consistency across sections.
- Layer the recorded accompaniment early in rehearsal to establish harmonic context, then pull it back during the final week so singers internalize the pitch relationships independently.
- Balance the top line (soprano 1) so it sits warmly above the harmonic foundation rather than piercing; this arrangement rewards a blended, choir-like sound.
- Use the instrumental parts available for this arrangement to add color during rehearsal or performance if you have the instrumentation; they reinforce harmonic structure without overwhelming the voices.
How to use it
This works beautifully as an inspirational closer to a concert, particularly one focused on musical theater or family-friendly repertoire. It also pairs thoughtfully with other pop choral selections, giving you a piece that feels contemporary yet timeless enough to represent your choir's artistry.
Skills your students will build
- Legato line singing across phrase boundaries
- Balancing melody and harmonic support within SSA voicing
- Vowel consistency and blend across chord changes
- Intonation awareness in close harmonic intervals
- Interpretation of theatrical material in concert context