Pure Imagination Cover Image

Pure Imagination: Jazz Ensemble Conductor Score & Parts

$62.00 USD
Sale price  $62.00 USD Regular price 
Skip to product information
Pure Imagination Cover Image

Pure Imagination: Jazz Ensemble Conductor Score & Parts

As Recorded by the Elliot Deutsch Big Band

Words and music by Leslie Bricusse and Anthony Newley / arr. Elliot Deutsch

Grade: 5 (Advanced / Difficult)

Item: 00-43733

makemusic Cloud badge

Need it now?

Buy Digital Version
$62.00
Shipped

One moment…

Description
A great take on a wonderful tune. Beginning at 130 BPM, Deutch's arrangement of "Pure Imagination" moves to double-time swing and then into a samba groove with solo space for piano and trumpet 4. The lead trumpet range is to written high E. Check this one out! (6:47)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pure Imagination: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 74
UPC: 038081502205
SKU: 00-43733

More about this title

About the Composer: Leslie Bricusse

Leslie Bricusse is a British lyricist and composer who shaped the sound of mid-century musical theater and film. His collaborations with Anthony Newley produced some of the era's most enduring melodies, including "Pure Imagination" from Willy Wonka & the Chocolate Factory (1971). Bricusse's gift for crafting singable, memorable tunes has made his work a staple in music education and professional settings alike.

Why we love this

Deutsch's arrangement treats this beloved standard with genuine jazz sophistication, shifting through three distinct grooves without ever feeling scattered. The built-in solo opportunities and accessible-yet-challenging writing make it equally rewarding for conductors building ensemble cohesion and for players eager to stretch into swing and samba idioms.

What to expect

Starting as a lyrical, almost introspective melody at a moderate tempo, the arrangement suddenly opens into a driving swing feel before shifting gear entirely into a warm, propulsive samba. The piece never loses its connection to the original tune's wistfulness, even as it explores rhythm and groove.

Who it's for

Advanced jazz ensembles ready to handle multiple stylistic territories in a single arrangement. This score works best with players who can navigate double-time swing comfortably and have at least one strong improviser available for the solo spots.

How to get the most out of it

  • Lock the groove transition at measure where double-time swing begins. Spend rehearsal time on the rhythmic pivot so the ensemble feels the acceleration rather than rushing it.
  • Balance the samba section carefully: the rhythm section drives hard here, but lead voices need clarity for the melody to cut through. Spend at least one full rehearsal with rhythm section alone, then layer horns gradually.
  • Feature your strongest improviser on the piano and trumpet 4 solo passages. Even if solos are notated, give players permission to interpret and ornament; that ownership lifts the entire performance.
  • The lead trumpet's range to high E demands both technical facility and endurance. Build up to full tempo gradually during sectionals, and consider transposing down a half-step or whole-step if your lead player is developing.

How to use it

This arrangement slots naturally into a jazz festival or contest set, where its stylistic variety and solo opportunities impress adjudicators without requiring extended concert programming time. It also pairs well with straight-ahead swing charts, offering your ensemble a chance to demonstrate versatility within a single rehearsal cycle.

Skills your students will build

  • Executing clean articulation and phrasing in double-time swing contexts
  • Maintaining groove independence between rhythm section and melody instruments
  • Reading samba rhythms and clave patterns
  • Improvising over chord changes in a jazz context
  • Managing tempo transitions and meter stability across style shifts

You May Also Like