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Proove Your Groove: Jazz Ensemble Conductor Score & Parts

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Proove Your Groove: Jazz Ensemble Conductor Score & Parts

By Alan Baylock

Grade: 4

Item: 00-51900

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Description
Yes, it's funky in many ways, performed around 88 BPM. The groove is deep and full of harmonic colors start to finish. Lead trumpet range to written high C, solos are for trombone 1, with a suggested written-out solo, and for drumset. Optional parts include vibes and flute. Although there is no written percussion part, adding congas is suggested. This is festival material. (5:00)

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
ISBN10: 1-4706-7739-3
ISBN13: 978-1-4706-7739-8
UPC: 038081599564
SKU: 00-51900

More about this title

About the Composer: Alan Baylock

Alan Baylock

Alan Baylock has spent decades at the intersection of high-level jazz performance and music education. He directed the Grammy-nominated One O'Clock Lab Band at the University of North Texas and previously served 20 years as Chief Arranger for the Airmen of Note, the United States Air Force Band's premier jazz ensemble in Washington, D.C. Leading his own Alan Baylock Jazz Orchestra for over 15 years, he recorded three critically acclaimed albums and established himself as a composer and arranger of international stature.

Beyond the bandstand, Baylock has shaped jazz education as a guest conductor to more than 100 ensembles at professional, collegiate, and high school levels, as faculty with the National Jazz Workshop, and as Jazz Composer-in-Residence at Shenandoah University. In 2022, he co-founded Brava Jazz Publishing with composer and arranger Annie Booth to champion women's voices in big band jazz. His own compositions and arrangements have been performed by world-class soloists including Melissa Aldana, the Brecker Brothers, Paquito D'Rivera, Kurt Elling, and Joshua Redman, and he remains an active advocate within the Jazz Education Network.

Why we love this

Baylock writes funk grooves that stick with your ensemble long after rehearsal ends. The harmonic depth here keeps it interesting for advanced players while the straightforward 88 BPM pocket and clear solo vehicles make it immediately accessible in sectional work. It's the kind of piece that energizes a festival set without sacrificing musicianship.

What to expect

Deep, funky, and harmonically rich. The groove pulls you in immediately while the harmonic colors underneath create sophistication and warmth. It's music that sounds effortless to play once locked in, but reveals layers every time you listen.

Who it's for

Grade 4 jazz ensembles looking for authentic funk writing that respects both the genre and the musicians playing it. This works equally well for high school festival programs and collegiate groups seeking repertoire that balances contemporary idiom with serious composition.

How to get the most out of it

  • Establish the groove pocket in rhythm section first. Lock the hi-hat and kick drum into that deep funk feel before layering in the horns; the piece hinges on that foundation.
  • Bring out the harmonic colors by listening carefully to the voicings underneath the lead trumpet line. These aren't just background voices; they're essential to the composition's character.
  • Encourage trombone 1 to personalize the solo even with the written-out suggestion as a guide. This is a chance to shape phrasing and dynamics within the groove.
  • If adding congas, integrate them early in rehearsal to deepen the groove texture and support the ensemble's rhythmic cohesion.

How to use it

Program this as an opener to set an energized tone or mid-set to showcase your ensemble's contemporary chops at a festival. The five-minute length and immediately engaging groove make it a strong crowd-pleaser that doesn't sacrifice musical substance.

Skills your students will build

  • Funk rhythm section pocket and groove awareness
  • Reading and balancing complex harmonic voicings in jazz context
  • Solo improvisation and interpretation within a written framework
  • Ensemble blend and intonation across chromatic harmonic movement
  • Stylistic feel and articulation specific to funk and jazz idioms

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