Prohibition Era March Cover Image

Prohibition Era March: Concert Band Conductor Score

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Prohibition Era March Cover Image

Prohibition Era March: Concert Band Conductor Score

By Lloyd Gould del Castillo / arr. Clarence E. Barber

Grade: 3.5

Item: 36-50105334

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Description
A uniquely styled setting of a march popular in the early days of the Prohibition era, Clarence E. Barber's arrangement of Prohibition Era March features an optional xylophone solo the first time through the trio. Just the sort of different march to make your concert a little spicy. (3:00)

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270299-8
ISBN13: 979-8-89-270299-7
UPC: 659359714030
SKU: 36-50105334
Instrumentation: Concert Band

More about this title

Why we love this

Clarence E. Barber's arrangement breathes fresh life into a period piece without overshadowing the original melody. The optional xylophone solo in the trio gives you a genuine choice about orchestration rather than forcing a single sound, and that flexibility means the piece works whether your band is fully staffed or not. It's the kind of march that genuinely surprises an audience because it sounds like something they haven't heard a hundred times before.

What to expect

The piece carries the snap and spirit of Prohibition-era entertainment without leaning into parody or heavy-handed period styling. It's spirited and rhythmically crisp, with a character that feels genuinely era-appropriate rather than costume-like.

Who it's for

Concert bands at the 3.5 grade level looking for a march that stands apart from the standard repertoire. Conductors programming a themed concert around early 20th century music or Americana will find this sits naturally in that context.

How to get the most out of it

  • Bring out the xylophone solo on the first trio if you have a capable player; it's written as an optional feature, so balance it as a featured voice rather than background color.
  • Lock the tempo with the low brass and percussion from the opening. The march style demands steady pulse, but don't let it drag into a slog.
  • Balance the whole band during the melody passages; this arrangement seems designed to sit in a comfortable middle dynamic, so resist the urge to crank volume in the forte sections.
  • Conductor score gives you full view of all parts. Watch for any divisi moments or doublings that need blending rather than separation.

How to use it

Pair this with other concert marches as part of a pops program or a concert celebrating American popular music from the 1920s-1930s. The three-minute duration makes it ideal as a strong opener or as a mood-shifter between heavier contemporary works.

Skills your students will build

  • Stylistic interpretation of historical march traditions
  • Balance and texture management in a fully scored ensemble
  • Reading from a conductor score
  • Maintaining steady march tempo under tempo changes or dynamic shifts
  • Optional solo performance in the trio section

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