Prohibition Era March Cover Image

Prohibition Era March: Concert Band Conductor Score & Parts

$80.00 USD
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Prohibition Era March Cover Image

Prohibition Era March: Concert Band Conductor Score & Parts

By Lloyd Gould del Castillo / arr. Clarence E. Barber

Grade: 3.5

Item: 36-50100334

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Description
A uniquely styled setting of a march popular in the early days of the Prohibition era, Clarence E. Barber's arrangement of Prohibition Era March features an optional xylophone solo the first time through the trio. Just the sort of different march to make your concert a little spicy. (3:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Prohibition Era March: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
UPC: 659359724886
SKU: 36-50100334
Instrumentation: Concert Band

More about this title

Why we love this

Barber's arrangement strikes that rare balance between accessibility and genuine character. A Grade 3.5 march that doesn't feel watered down, it gives your band a piece with personality and enough unusual detail (that optional xylophone solo) to keep rehearsals engaging without overwhelming your ensemble.

What to expect

Jaunty and spirited, with the swagger of early Prohibition-era popular music. The optional xylophone adds a gleam of vintage Americana without sacrificing the forward motion of a proper march.

Who it's for

Concert bands working at the intermediate level who want marches with more character than standard fare. This arrangement works well for groups developing rhythmic precision and ensemble balance while exploring early twentieth-century American music.

How to get the most out of it

  • Balance the optional xylophone solo carefully on the first trio statement; it should float above the band, not compete with melodic lines. Rehearse it separately with the section to ensure precision and clarity.
  • Lock the rhythmic clarity in the march sections before shaping any rubato. This arrangement leans on tight ensemble work, so front-load articulation and alignment in early rehearsals.
  • The trio benefits from a lighter touch in the lower voices; avoid overstuffing the bass line and let the melody breathe with the xylophone feature.
  • Emphasize the "spicy" contrasts between sections. This march works best when the dynamic and textural shifts feel intentional, not accidental.

How to use it

Pair this with other early twentieth-century Americana or as a companion piece to lighter concert selections. It reads as contemporary enough to intrigue modern audiences while staying rooted in that specific historical moment, making it an excellent bridge between classical repertoire and jazz-influenced American styles.

Skills your students will build

  • Balancing optional solos within the full ensemble texture
  • Executing clear articulation in march-style rhythmic figures
  • Understanding arrangement and orchestration choices within a single piece
  • Responding to dynamic and textural contrast at intermediate difficulty levels

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