Proch Dolor Cover Image

Proch Dolor: Brass Choir Score & Parts

$20.00 USD
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Proch Dolor Cover Image

Proch Dolor: Brass Choir Score & Parts

Anonymous / arr. Don Sweete

Level: Easy-Medium

Item: 81-BC9816

$20.00
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Description
Proch Dolor has been scored for a brass choir consisting of 3 trumpets and 4 trombones. This is an example of early Renaissance choral music.The work achieves a mood of sadness and of contemplative peace. Not too difficult, this work could easily be performed by a high school level ensemble.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-784-7
ISBN13: 978-1-55472-784-1
UPC: 685462000852
SKU: 81-BC9816
Instrumentation: 3.0.4.0.0

More about this title

Why we love this

Don Sweete's scoring brings Renaissance polyphony into the brass idiom without sacrificing the music's introspective character. The arrangement sits comfortably for high school players while preserving the harmonic depth of the original, making it an accessible entry point into early choral repertoire for young brass ensembles.

What to expect

A moment of collective reflection. The piece unfolds with quiet dignity, its Renaissance origins lending it an air of timelessness while the brass arrangement adds warmth and depth to every harmonic shift. You sense both sadness and acceptance moving through the music together.

Who it's for

High school brass choirs and intermediate-level brass ensembles looking for repertoire that balances accessibility with artistic substance. This work also suits contest and festival performance contexts where directors want to program a masterwork without requiring advanced technical facility.

How to get the most out of it

  • Balance the three trumpet voices with the four trombones so the upper voices project without dominating; the trombone section anchors the harmonic foundation and deserves clear presence.
  • Shape phrases with subtle dynamic swells rather than abrupt changes; the contemplative mood depends on smooth, connected playing across the ensemble.
  • Tune carefully at the start of rehearsals, paying particular attention to the major and minor intervals in the Renaissance harmonic language, which can sound bare if intonation wavers.

How to use it

Program this alongside other Renaissance or early music arrangements to build a thematic concert, or use it as a centerpiece in a mixed-genre recital where it can contrast with Romantic or contemporary brass works. Its moderate difficulty and contemplative nature make it ideal for spring festivals or special concert programming.

Skills your students will build

  • Reading and balancing multi-voice Renaissance harmony
  • Sustaining pure, centered tones across an extended dynamic range
  • Blending five independent brass parts into unified ensemble sound
  • Phrasing music with minimal dynamic change while maintaining musical direction

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