Prince Igor: Overture Cover Image

Prince Igor: Overture: Full Orchestra Conductor Score & Parts

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Prince Igor: Overture Cover Image

Prince Igor: Overture: Full Orchestra Conductor Score & Parts

By Alexander Borodin / arr. Alexander Glazunov

Item: 36-A133702

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Description
Alexander Borodin (1833-1887) composed the four-act opera Prince Igor between 1869-1887, although it remained unfinished at his death. Fellow Russian composers Rimsky-Korsakov and Glazunov completed and orchestrated what remained. Borodin adapted the ancient Russian epic The Lay of Igor's Host, which tells the story of prince Igor Svyatoslavich and his campaign against the invading Cuman (Polovtsian) tribes in 1185. The premiere took place on November 4th, 1890, at St. Petersburg's Mariinsky Theatre, Karl Kuchera, conducting. The Overture was completed and orchestrated by Aleksandr Glazunov (1865-1936), in part from memory, having heard Borodin play it at the piano. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 676737945664
SKU: 36-A133702
Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Alexander Borodin

Alexander Borodin (1833-1887) was a Russian composer and chemist whose dual careers often competed for his attention. He served as a professor of chemistry at the Medical-Surgical Academy in St. Petersburg while composing some of the most distinctive orchestral and operatic works of the Russian nationalist school. Though his output was modest compared to his contemporaries, each piece bears the hallmark of sophisticated harmonic language and vivid orchestration that influenced generations of Russian composers.

Prince Igor consumed much of Borodin's creative energy over nearly two decades, yet he left the work incomplete at his death. The opera's fate rested with two of Russia's greatest musicians: Nikolai Rimsky-Korsakov, who completed the libretto and orchestrated acts 1 and 3, and Aleksandr Glazunov, who reconstructed the overture from memory after hearing Borodin perform it at the piano. This collaborative completion stands as a testament to both Borodin's musical legacy and the deep bonds among Russia's compositional community.

Why we love this

This overture captures the epic grandeur and exotic color that made Prince Igor a cornerstone of the Russian operatic repertoire. Glazunov's orchestration balances Borodin's harmonic richness with transparent textures that sit beautifully under a conductor's hands, making it accessible for orchestras working toward more sophisticated Romantic-era programming without excessive technical demands on individual sections.

What to expect

The overture unfolds like a cinematic narrative, beginning in shadow and mystery before building toward declarations of heroic purpose. Russian folk melody and exotic harmonic twists weave through lush orchestration, creating an immersive world that feels both distant and deeply expressive.

Who it's for

Orchestras and advanced concert bands seeking a substantial Romantic-era work that showcases orchestral color and dramatic arc. The piece demands solid musicianship across all sections but rewards preparation with a rich, historically significant score that audiences recognize and appreciate.

How to get the most out of it

  • Shape the opening's brooding melody with a long musical line rather than treating each phrase as separate; the tension builds gradually toward the first orchestral swell.
  • Balance the woodwind and horn writing carefully during transitions, as Borodin frequently divides thematic material across families rather than doubling for clarity.
  • Allow the timpani their rhythmic independence in the climactic sections; they anchor the harmonic movement and should cut through, not blend with, the strings.
  • Prepare the brass section for the dramatic shifts between lyrical passages and bold proclamations, as sudden dynamic changes define the overture's structure.

How to use it

Program this as an overture before a classical or Romantic-era concerto, or position it as the centerpiece of a concert exploring Russian musical nationalism. Its moderate length and dramatic impact make it ideal for opening a concert, or for bridging a program that moves between lighter works and more demanding symphonic repertoire.

Skills your students will build

  • Sustaining ensemble balance across multiple instrumental families with unequal doublings
  • Navigating chromatic harmony and unusual chord progressions
  • Coordinating rapid tempo changes and dramatic dynamic shifts
  • Playing with rhythmic precision during unmetered or flexible passages
  • Understanding the role of the orchestra in operatic storytelling

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