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Premier Piano Express, Repertoire Book 3: Keyboard/Piano Book & Online Audio

$9.99 USD
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Premier Piano Express, Repertoire Book 3 Cover Image

Premier Piano Express, Repertoire Book 3: Keyboard/Piano Book & Online Audio

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 3 & 4

Item: 00-48632

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Description
Alfred's Premier Piano Express, Repertoire Book 3 includes motivational music in a variety of styles. Designed to reinforce concepts introduced in Premier Piano Express, Book 3, the music can be used as supplementary repertoire for any method. All original music (including one duet) was composed or arranged by Dennis Alexander and Martha Mier. Selections of standard repertoire by Schytte, Schubert, Gurlitt, J. C. Bach, Latour, J. S. Bach, Mozart, and Lynes also are included.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-4342-1
ISBN13: 978-1-4706-4342-3
UPC: 038081556765
SKU: 00-48632

More about this title

About the Composer: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped educational piano repertoire for nearly four decades, beginning his partnership with Alfred Music Publishing in 1986. His catalog of over 400 published works and recordings has earned him international recognition as one of the most prolific composers of teaching pieces across all student levels. Alexander studied at the University of Kansas under Richard Reber and spent 24 years teaching piano pedagogy at the University of Montana, where he also chaired the piano department. He later taught at Cal State Fullerton and Cal State Northridge before settling in Albuquerque to focus full-time on composing and clinician work.

Beyond the studio and classroom, Alexander maintains an active performance career as a soloist, accompanist, and chamber musician. He made his Carnegie Recital Hall debut in 1987 and has collaborated with internationally recognized soloists and ensembles. A frequent presenter at state and national music teachers conventions, he has been commissioned by numerous organizations and served as a master class conductor at the MTNA national convention. His touring has taken him throughout Asia, where he has conducted workshops and performed recitals in Singapore, Hong Kong, Malaysia, Indonesia, and South Korea.

Why we love this

This collection bridges the gap between method book reinforcement and genuine musical exploration. Alexander and his co-arrangers have written original pieces that feel fresh and motivating rather than mechanical, while the inclusion of carefully selected classical and Romantic-era works gives students exposure to authentic repertoire at an accessible level. The variety of styles keeps practice sessions engaging and builds repertoire awareness naturally alongside technical skill.

What to expect

The music in this collection sparkles with variety. Original pieces sparkle with contemporary energy and approachable textures, while classical selections by Mozart, Bach, and Schubert offer elegant restraint and historical context. Each turn of the page brings a different mood, style, or compositional challenge, keeping students engaged and curious about what comes next.

Who it's for

This book serves students completing Level/Grade 3 and moving into Grade 4, whether they're studying Premier Piano Express or any other method. Teachers looking for motivational supplementary repertoire that reinforces learned concepts without requiring new technical instruction will find this collection especially useful. Intermediate pianists benefit from a mix of original teaching pieces and legitimate standard works in one resource.

How to get the most out of it

  • Record yourself playing the duet part while playing along to the included online audio; this builds awareness of ensemble balance and helps you listen critically to your own tone and phrasing.
  • Before sightreading a piece, scan for key changes, accidentals, and any tempo or style markings that might surprise you mid-phrase.
  • Pay attention to the harmonic function of accompaniment figures in the original compositions; understanding what the left hand is doing helps you shape the melody with better intentionality.
  • Use the online audio selectively. Learn the piece from the score first, then listen to hear phrasing and pedal choices you might not have considered.

How to use it

Use this repertoire as the backbone of a recital program at the end of Book 3 study or early in Book 4, mixing original pieces with one or two classical selections to show your students' growth in musical maturity. The duet is ideal for studio ensemble performances or as a motivating project for adult learners returning to piano. Students can also cycle through selections across the year as performance pieces for festivals, competitions, or informal studio gatherings.

Skills your students will build

  • Reading and interpreting a range of classical, Romantic, and contemporary compositional styles
  • Ensemble awareness and listening skills through duet playing
  • Phrase shaping and musical interpretation beyond the method book
  • Understanding harmonic function and accompaniment patterns
  • Sight-reading fluency across varied textures and key signatures
  • Performance confidence through exposure to legitimate standard repertoire

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