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Premier Piano Course, Theory 5: Piano Book

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Premier Piano Course, Theory 5 Cover Image

Premier Piano Course, Theory 5: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 5

Item: 00-32649

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Description
The activities in Theory Book 5 continue to develop the theoretical knowledge begun in previous levels of the course. A balanced mix of necessary drill with activities that stimulate creativity, including harmonization and composition, makes theory motivating and fun for students. Written theory is interspersed with activities that foster sight-reading and ear-training skills, while intriguing comments on music history and style reinforce the theoretical principles.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-6010-4
ISBN13: 978-0-7390-6010-0
UPC: 038081355122
SKU: 00-32649

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has been central to Alfred Music Publishing's educational catalog since 1986, composing over 400 works that have shaped how generations of students learn piano. His career spans faculty positions at the University of Montana (where he taught piano pedagogy for 24 years), Cal State Fullerton, and Cal State Northridge, and he remains an active recitalist, clinician, and commissioned composer based in Albuquerque, New Mexico.

Beyond the studio, Alexander has established himself as a respected voice in music education through his work at state and national conventions and his international reach. His performances and workshops have taken him across Asia, and his compositions have been commissioned by numerous organizations and associations. This dual commitment to both pedagogical excellence and artistic credibility makes his educational materials unusually thoughtful.

Why we love this

Theory 5 strikes a genuine balance between the repetition students actually need and the creative work that makes them care about what they're learning. The pairing of written exercises with sight-reading and ear-training activities means students aren't drilling in isolation, and the historical and stylistic commentary transforms abstract concepts into real musical context.

What to expect

A conversation rather than a worksheet. Each activity builds on what students already know while opening doors to how composers think and make choices. The balance of drill and creativity keeps the work purposeful instead of punitive.

Who it's for

Level 5 piano students who are ready to understand the architecture behind what they're playing. This book works best for students in a structured lesson setting where a teacher can guide them through the creative activities and deepen the connections between theory and repertoire.

How to get the most out of it

  • Complete the composition and harmonization activities without rushing; these are opportunities for students to own the theoretical concepts, not just answer questions.
  • Use the ear-training sections as springboards for longer listening discussions rather than isolated drills.
  • Connect the historical comments to pieces students are learning from the concurrent level of the Premier Piano Course method book.

How to use it

Pair this with the concurrent level of the Premier Piano Course method book so theory and repertoire develop together. The composition and harmonization activities integrate naturally into weekly lessons, and the historical notes can spark deeper discussions about style periods and compositional techniques.

Skills your students will build

  • Harmonic analysis and functional harmony
  • Basic composition and arranging
  • Sight-reading across varied musical contexts
  • Ear training for intervals, chords, and cadences
  • Understanding music history and style conventions as they relate to theoretical principles

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