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Premier Piano Course, Theory 2A: Piano Book

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Premier Piano Course, Theory 2A Cover Image

Premier Piano Course, Theory 2A: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 2A

Item: 00-22371

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Description
Correlated page-for-page with the Lesson Book, each new musical concept is reinforced through fun-filled writing, listening and playing exercises. With games and puzzles added to compositional and creative activities, students retain concepts more easily and learn more thoroughly.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-3704-8
ISBN13: 978-0-7390-3704-1
UPC: 038081234762
SKU: 00-22371

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander stands among the most frequently taught names in elementary piano education, having built an international presence through more than 400 publications with Alfred Music Publishing since 1986. His teaching career spanned decades at the University of Montana, where he directed piano pedagogy studies for 24 years before relocating to California to teach at Cal State Fullerton and Cal State Northridge. Beyond the studio, Alexander has maintained an active performance schedule as soloist, accompanist, and chamber musician, including a Carnegie Recital Hall debut in 1987 and collaborative work with internationally recognized artists.

A native of Kansas and graduate of the University of Kansas, Alexander has earned recognition as a clinician at state and national music teachers conventions, including conducting a master class for MTNA's national convention in Atlanta. His commissions and compositions reflect his deep engagement with music education at all levels, and his international reach extends through tours across Southeast Asia and judging responsibilities for prestigious competitions. He currently resides in Albuquerque, New Mexico, where he continues composing and consulting work.

Why we love this

Theory 2A pairs reinforcement directly to the Lesson Book, so every concept a student encounters at the keyboard connects immediately to written work that deepens retention. The variety of activity types—games, puzzles, creative composition, and listening exercises—keeps the page engaging without sacrificing rigor, and students finish the 40-page book feeling accomplished rather than drilled.

What to expect

Theory 2A reads like a workbook that was actually designed by someone who watches students learn, not someone checking boxes. The balance of serious musical thinking and genuine play keeps young pianists engaged without feeling like punishment for being a musician.

Who it's for

This book serves early-intermediate piano students (typically ages 7-10) who are working through the Premier Piano Course Lesson Book and need structured reinforcement of music fundamentals. It works equally well in group piano classes, private studios, and homeschool settings where the parent or teacher can guide practice between lessons.

How to get the most out of it

  • Play the listening examples aloud to students before they complete the corresponding exercises; hearing the sound makes the written theory meaningful and prevents abstract note-reading.
  • Assign the compositional activities first, then return to the writing exercises; students who have already created something grasp why the rules matter.
  • Use the games and puzzles as transition activities between technique work and new concepts to maintain energy during theory instruction.

How to use it

Assign one page or activity per week during regular piano lessons, timing the assignment to align with corresponding pages in the Lesson Book so concepts reinforce each other. The creative and game-based activities work especially well as independent practice between lessons, building ownership of the material without requiring constant teacher oversight.

Skills your students will build

  • Recognizing and writing treble clef notes in the grand staff
  • Understanding whole, half, quarter, and eighth note values and rests
  • Reading and writing intervals within an octave
  • Identifying major and minor scales
  • Recognizing basic chord structures and progressions
  • Applying dynamics, articulation, and tempo markings to written music
  • Creating simple melodies and musical phrases using learned concepts

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