Premier Piano Course, Sight Reading 1B Cover Image

Premier Piano Course, Sight Reading 1B: Piano Book

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Premier Piano Course, Sight Reading 1B Cover Image

Premier Piano Course, Sight Reading 1B: Piano Book

By Carol Matz and Victoria McArthur

Level: 1B

Item: 00-41041

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Description
Sight-Reading 1B develops sight reading skills through activities that reinforce reading concepts and musicality. There are 14 units correlated with Lesson Book 1B, and each unit contains five activities that emphasize note reading, rhythm, playing without stopping, and playing expressively. These activities build sight-reading skills in a simple, fun way.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-9633-8
ISBN13: 978-0-7390-9633-8
UPC: 038081460628
SKU: 00-41041

More about this title

About the Authors

Carol Matz
Carol Matz is a prolific composer and arranger who has created over 300 published piano works for students. As an accomplished piano instructor, she brings firsthand teaching experience to her compositions and has conducted piano-teaching workshops across the United States, Canada, England, New Zealand, and Australia.

Her popular Famous & Fun series, released by Alfred Music, has established her reputation in music education. Matz earned her training in composition, arranging, and orchestration from the University of Miami and has written for orchestras, jazz ensembles, brass quintets, and string quartets. She has also contributed studio arrangements for various recording artists based in Miami.
Victoria McArthur
Victoria McArthur recently retired from her position as Program Director of Piano Pedagogy and Coordinator of Group Piano at Florida State University's College of Music, one of America's premier music institutions. She holds the Permanent Professional Certificate in Piano and Music Theory from the Music Teachers National Association.

Her scholarly contributions span over 80 publications, including co-authorship of the widely-used Alfred's Premier Piano Course. Dr. McArthur has served as Keyboard Editor for Alfred Music Publishing since 2000 and has authored or edited numerous leading textbooks, notably contributing a chapter on sight reading to Oxford University Press's The Science and Psychology of Music Performance. Her work has appeared in major music and music education journals, and she spent many years writing music reviews for Piano Quarterly.

Today, Dr. McArthur remains active as a piano and music theory instructor, working with students of all ages and ability levels. She founded and directs McArthur & Musical Associates, a successful piano studio serving the Tallahassee area. In 2006, she traveled to Korea to conduct piano workshops for Alfred Music Publishing.

Why we love this

This book treats sight reading as a skill that improves through consistent, purposeful repetition rather than isolated drills. The 14 units move alongside the Lesson Book 1B material, so students encounter new rhythmic and melodic concepts in context they've already begun to understand. Five activities per unit means variety keeps practice sessions fresh while building genuine fluency.

What to expect

Encouraging and accessible. Each activity feels achievable because melodies stay within what students have learned, and rhythms build gradually. The mix of note-reading and expressive play prevents sight reading from feeling mechanical; students discover that fluency opens the door to actually enjoying what they're playing.

Who it's for

Early-beginner pianists working through Level 1B who need systematic practice building confidence in reading unfamiliar music. Teachers who want sight-reading work integrated into lessons rather than treated as a separate skill. Students benefit most when this book progresses alongside the Lesson Book 1B.

How to get the most out of it

  • Work through one unit per week in sync with your Lesson Book 1B progress so students apply concepts they're actively learning.
  • Establish a routine where students complete at least one activity daily; five-minute sessions accumulate into real improvement faster than longer, irregular practice.
  • Celebrate the 'playing without stopping' goal explicitly; acknowledge when a student maintains continuity rather than pausing to figure out notes.
  • Pair expressive playing activities with the corresponding lesson material so students understand that sight reading and interpretation develop together.

How to use it

Assign activities as homework alongside Lesson Book 1B rather than as standalone supplement. The correlation structure means you can recommend specific units when introducing new concepts in lessons, giving students immediate reinforcement. For students who thrive with independent practice, this becomes a go-to resource for five minutes of focused work between lessons.

Skills your students will build

  • Reading note names fluently on the staff
  • Recognizing rhythmic patterns and counting accurately
  • Playing through unfamiliar melodies without stopping
  • Adding expression and musicality to sight-reading exercises
  • Building confidence with notation appearing for the first time
  • Sustaining focus and attention during repeated practice

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