Premier Piano Course, Performance 6 Cover Image

Premier Piano Course, Performance 6: Piano Book & CD

$9.99 USD
Sale price  $9.99 USD Regular price 
Skip to product information
Premier Piano Course, Performance 6 Cover Image

Premier Piano Course, Performance 6: Piano Book & CD

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 6

Item: 00-34669

$9.99
Shipped

One moment…

Description
The fresh and appealing music contained in Performance Book 6 expands the technical and harmonic vocabulary of students. An eclectic mix of popular styles---from ballads to rock to ragtime---is balanced with favorite repertoire from the Classical, Romantic and Contemporary periods. Performance tips help the student play musically and stylistically. Each piece on the included CD was recorded at a performance tempo and a slower practice tempo.

The audio for this book is also available for download here

Premier Piano Course, Performance 6: Piano Book & CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
1 01 Twelve O'Clock Jump - Performance Tempo --:--
2 02 Twelve O'Clock Jump - Practice Tempo --:--
3 03 Cossak Dance - Performance Tempo --:--
4 04 Cossak Dance - Practice Tempo --:--
5 05 Serenade de Seville - Performance Tempo --:--
6 06 Serenade de Seville - Practice Tempo --:--
7 07 In the Village - Performance Tempo --:--
8 08 In the Village - Practice Tempo --:--
9 09 Waltz in B Minor - Performance Tempo --:--
10 10 Waltz in B Minor - Practice Tempo --:--
11 11 Friday Night Rock - Performance Tempo --:--
12 12 Friday Night Rock - Practice Tempo --:--
13 13 Solfeggio in C Minor - Performance Tempo --:--
14 14 Solfeggio in C Minor - Practice Tempo --:--
15 15 Trevi Fountain - Performance Tempo --:--
16 16 Trevi Fountain - Practice Tempo --:--
17 17 The Wild Rider - Performance Tempo --:--
18 18 The Wild Rider - Practice Tempo --:--
19 19 Southern Dreams - Performance Tempo --:--
20 20 Southern Dreams - Practice Tempo --:--
21 21 Valse mystérieuse - Performance Tempo --:--
22 22 Valse mystérieuse - Practice Tempo --:--
23 23 The Avalanche - Performance Tempo --:--
24 24 The Avalanche - Practice Tempo --:--
25 25 1950s Rock 'n' Roll - Performance Tempo --:--
26 26 1950s Rock 'n' Roll - Practice Tempo --:--
27 27 Jazz Reflections - Performance Tempo --:--
28 28 Jazz Reflections - Practice Tempo --:--
29 29 Sonatina in G Major - 1st Movement - Performance Tempo --:--
30 30 Sonatina in G Major - 1st Movement - Practice Tempo --:--
31 31 Sonatina in G Major - 2nd Movement - Performance Tempo --:--
32 32 Sonatina in G Major - 2nd Movement - Practice Tempo --:--
33 33 Reverie - Performance Tempo --:--
34 34 Reverie - Practice Tempo --:--
35 35 Magnolia Rag - Performance Tempo --:--
36 36 Magnolia Rag - Practice Tempo --:--

01 Twelve O'Clock Jump - Performance Tempo

0:00
0:00
Sample Video
Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-6892-X
ISBN13: 978-0-7390-6892-2
UPC: 038081387857
SKU: 00-34669

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped piano education for decades through prolific composition and generous mentorship. Since 1986, his work with Alfred Music has produced over 400 publications that span every student level, earning him recognition as one of the most influential voices in educational piano repertoire. He spent nearly a quarter-century teaching piano pedagogy at the University of Montana before relocating to California, where he held faculty positions at Cal State Fullerton and Cal State Northridge. His performance credentials are equally substantial; he made his Carnegie Recital Hall debut in 1987 and has collaborated with internationally recognized soloists and chamber ensembles across multiple continents.

Beyond the studio and concert hall, Alexander remains deeply involved in music education advocacy. He has served as president of the Montana State Music Teachers Association, regularly conducts master classes at MTNA conventions, and has traveled throughout Southeast Asia and the Far East presenting workshops and recitals. His compositions have been commissioned by numerous state and regional organizations, reflecting the respect his peers hold for his voice. He currently resides in Albuquerque, where he maintains an active schedule composing and presenting clinics for Alfred Music.

Why we love this

The range of styles here—ballads, rock, ragtime, and Classical through Contemporary masterworks—gives students genuine ownership over their musical voice at Level 6. Rather than treating popular and art music as separate tracks, the book insists they belong together, which builds musical maturity and keeps intermediate students engaged. The dual-tempo recordings (performance and practice speeds) remove the guessing game from tempo and let students focus entirely on interpretation.

What to expect

Moving through this book feels like opening doors into different musical worlds. One moment you're riding the swagger of ragtime; the next you're navigating the harmonic depth of a Romantic ballad. The music rewards attention to detail—dynamics, articulation, pedal choices—while remaining musically satisfying even in early attempts.

Who it's for

Intermediate pianists ready to expand beyond a single pedagogical approach and explore the full spectrum of keyboard repertoire. Students at this level benefit from the eclectic mix because it trains stylistic flexibility while keeping technical growth steady and purposeful.

How to get the most out of it

  • Listen to both tempos on the included CD before playing. The performance tempo shows you the full musical shape; the practice tempo gives your hands permission to slow down as you master the technical demands.
  • Study the performance tips printed in the book for each piece. These are specific to style and articulation, not generic—they'll deepen how you understand what the composer wanted to hear.
  • Record yourself and compare it to the performance tempo. This trains your ear to recognize where your timing, tone, or phrasing differs from the goal.

How to use it

Use Performance 6 as the core repertoire for your Level 6 students throughout the year, mixing pieces into studio recitals and informal performances. The variety means you can always find something that fits the mood of a season or balances a program; ragtime pieces add energy and humor, while the Classical and Romantic selections provide substance and show growth.

Skills your students will build

  • Harmonic vocabulary across Classical, Romantic, and Contemporary idioms
  • Stylistic differentiation between ballad, rock, and ragtime approaches
  • Pedal technique and tone control across varied textures
  • Reading and interpreting performance annotations specific to each piece's style
  • Independence between hands in more complex accompaniment patterns

You May Also Like