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Premier Piano Course, Lesson 5: Piano Book & CD

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Premier Piano Course, Lesson 5 Cover Image

Premier Piano Course, Lesson 5: Piano Book & CD

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 5

Item: 00-32022

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Description
Premier Piano Course Level 5 lets students develop their rhythm skills using sixteenth notes in 3/8 and 6/8 time. A special focus is a stylistic introduction to the Baroque and Classical masterworks. Additional pieces range from lyrical ballads and jazz styles to arrangements of familiar classic and folk themes. New concepts introduced include augmented triads, grace notes and additional scales and keys. Each piece on the CD was recorded at a performance tempo and a slower practice tempo.

To access the TNT recordings, visit: alfred.com/ppcdownloads.

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Sample Pages

Sample Audio
1 01 Manhattan Blues [performance tempo] --:--
2 02 Manhattan Blues [practice tempo] --:--
3 03 Jazz Miniature [performance tempo] --:--
4 04 Jazz Miniature [practice tempo] --:--
5 05 Song of the Cello [performance tempo] --:--
6 06 Song of the Cello [practice tempo] --:--
7 07 La petite étude [performance tempo] --:--
8 08 La petite étude [practice tempo] --:--
9 09 Rondino [performance tempo] --:--
10 10 Rondino [practice tempo] --:--
11 11 Minuet in G Major [performance tempo] --:--
12 12 Minuet in G Major [practice tempo] --:--
13 13 Carnaval de Buenos Aires [performance tempo] --:--
14 14 Carnaval de Buenos Aires [practice tempo] --:--
15 15 A Little Softshoe [performance tempo] --:--
16 16 A Little Softshoe [practice tempo] --:--
17 17 Ragtime Rally [performance tempo] --:--
18 18 Ragtime Rally [practice tempo] --:--
19 19 German Dance in A Major [performance tempo] --:--
20 20 German Dance in A Major [practice tempo] --:--
21 21 Teasing Song in E Major [performance tempo] --:--
22 22 Teasing Song in E Major [practice tempo] --:--
23 23 Greek Festival [performance tempo] --:--
24 24 Greek Festival [practice tempo] --:--
25 25 Caro Nome [performance tempo] --:--
26 26 Caro Nome [practice tempo] --:--
27 27 Sonata in C Major Op --:--
28 28 Sonata in C Major Op --:--
29 29 Hava Nagila [performance tempo] --:--
30 30 Hava Nagila [practice tempo] --:--
31 31 Autumn Afternoon [performance tempo] --:--
32 32 Autumn Afternoon [practice tempo] --:--
33 33 If I Only Had a Brain [performance tempo] --:--
34 34 If I Only Had a Brain [practice tempo] --:--
35 35 In the Hall of the Mountain King [performance tempo] --:--
36 36 In the Hall of the Mountain King [practice tempo] --:--
37 37 Minuet in G Minor [performance tempo] --:--
38 38 Minuet in G Minor [practice tempo] --:--
39 39 Barcarolle [performance tempo] --:--
40 40 Barcarolle [practice tempo] --:--

01 Manhattan Blues [performance tempo]

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Sample Video
Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-5796-0
ISBN13: 978-0-7390-5796-4
UPC: 038081349084
SKU: 00-32022

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped piano education for decades through his work with Alfred Music Publishing, beginning in 1986. His output of over 400 published compositions and recordings has established him as a leading voice in pedagogical piano literature, recognized internationally for understanding how students learn across all levels. He held a long teaching career at the University of Montana, where he directed the piano department and taught applied piano, class piano, and piano pedagogy for 24 years before relocating to California.

Alexander has maintained an active presence as both composer and performer throughout his career. He made his Carnegie Recital Hall debut in 1987 and has collaborated with soloists and chamber ensembles while serving on faculties at Cal State Fullerton and Cal State Northridge. A former president of the Montana State Music Teachers Association, he has conducted master classes at national conventions, judged international competitions, and toured extensively across Asia and beyond. He currently resides in Albuquerque, New Mexico, where he continues composing for Alfred Music Publishing.

Why we love this

This book strikes an essential balance between technical development and musical exploration at a pivotal point in a student's journey. The introduction of sixteenth-note rhythms in compound meters (3/8 and 6/8) happens alongside genuine Baroque and Classical repertoire, so students learn that rhythm mastery serves musical expression, not technique in isolation. The variety across jazz, folk arrangements, and lyrical ballads keeps practice sessions engaging while harmonic concepts like augmented triads open doors to repertoire they'll encounter for years.

What to expect

A doorway opens here to the world of composers themselves. The Baroque and Classical selections feel authentic to their traditions, not simplified beyond recognition, while the jazz and folk arrangements bring modern warmth and accessibility. Throughout the book, there's a sense of discovery—rhythms that seemed impossible in earlier levels now flow naturally, and the harmonic colors of augmented triads and new keys add dimension to the student's expressive palette.

Who it's for

This book serves students who have completed Premier Piano Course Level 4 and are ready to deepen their rhythmic vocabulary and harmonic understanding. It works well for students aged 8 to 12 who respond to a mix of classical foundations and contemporary styles, and for any learner preparing to explore the standard piano repertoire canon.

How to get the most out of it

  • Isolate sixteenth-note passages in compound meters by tapping the rhythm while counting the beat aloud; compound meters reveal their logic when the dotted pulse is clear.
  • Record yourself playing the practice tempo tracks first, then compare your interpretation to the performance tempo versions; this trains your ear to hear how tempo affects phrasing and articulation.
  • When grace notes appear, practice them separately at a slow tempo to find the balance between delicate ornamentation and clear principal notes; Baroque pieces especially reward clarity here.
  • Approach the harmonic colors of augmented triads with awareness of context; these chords often signal tension or transition, so let the surrounding melodic material guide your touch and voicing choices.

How to use it

Progress through this sequentially with your student; each new concept builds on the previous one, and the balance of technical challenges with musical rewards keeps motivation high over a full academic year or semester. If your student performs in a studio recital, pieces from this level offer genuine program depth without exceeding realistic performance timelines. The included practice and performance tempo recordings allow students to work independently, freeing up lesson time for interpretation and technique refinement.

Skills your students will build

  • Reading and performing sixteenth-note patterns in compound meters (3/8 and 6/8)
  • Building augmented triads and recognizing their harmonic function
  • Executing grace notes with clarity and musical intent
  • Reading in additional major and minor keys with fluency
  • Recognizing and performing stylistic characteristics of Baroque and Classical music
  • Interpreting jazz and folk idioms at the piano
  • Developing independence between hands across varied textures and rhythmic patterns

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