Premier Piano Course, Lesson 3 Cover Image

Premier Piano Course, Lesson 3: Piano Book

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Premier Piano Course, Lesson 3 Cover Image

Premier Piano Course, Lesson 3: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 3

Item: 00-27779

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Description
Premier Piano Course Level 3 students will be playing syncopated, dotted and swing rhythms with ease. Up-tempo, original pieces with clever twists smoothly incorporate new concepts including: pass-under and cross-over scale fingerings; the chromatic scale; IV chords in C, G, F, D; 1st and 2nd endings; and ledger lines above and below the staff.

To access the TNT recordings, visit: alfred.com/ppcdownloads.

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Sample Pages

Sample Audio

Swingin' the Blues

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-4639-X
ISBN13: 978-0-7390-4639-5
UPC: 038081303529
SKU: 00-27779

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped educational piano pedagogy since the mid-1980s, when he began his long partnership with Alfred Music Publishing. Over four decades, his catalog has grown to more than 400 compositions and recordings, establishing him as one of the most widely taught composers of educational piano repertoire internationally. He held the piano pedagogy faculty position at the University of Montana for 24 years before moving to California, where he taught at Cal State Fullerton and Cal State Northridge. A University of Kansas graduate, Alexander studied under Richard Reber and has maintained an active performance career as soloist, accompanist, and chamber musician.

Beyond the classroom, Alexander has been a frequent clinician at state and national music teacher conventions and served as president of the Montana State Music Teachers Association. His work has been commissioned by organizations nationwide, and he has toured extensively across Asia and beyond, presenting recitals and master classes. He has judged national piano competitions and conducted intermediate-level master classes at the MTNA national convention. Alexander currently resides in Albuquerque, New Mexico, where he continues composing and consulting with Alfred Music Publishing.

Why we love this

Level 3 students encounter genuine musical satisfaction in these original pieces, which teach new technical concepts (chromatic scales, pass-under and cross-over fingerings, IV chords) through engaging melodies rather than dry etudes. The rhythm writing stands out: syncopation, swing, and dotted figures arrive in music that sounds current and fun, making technical mastery feel like musicianship, not drill work. With 48 pages of carefully sequenced material, you have enough substance to build confidence without overwhelming students at this stage.

What to expect

These pieces spark real excitement at the piano. The up-tempo originals have personality and snap; you'll find yourself wanting to play them again, not because you have to practice but because they're genuinely fun. The clever musical ideas (a swing passage that catches you off-guard, a chromatic run that feels like you're showing off) make learning feel like discovery rather than assignment.

Who it's for

Level 3 students who have built foundational technique and are ready for more rhythmic sophistication and hand position flexibility. Teachers seeking original, musicianly repertoire that maintains student engagement while introducing intermediate concepts will find this book essential for their curriculum.

How to get the most out of it

  • Approach chromatic scale passages slowly at first, paying close attention to the pass-under and cross-over fingerings shown in the text; these hand positions will feel awkward until they become automatic
  • Count swing rhythms aloud before playing them; the notation guides you, but internalizing the feel prevents stiff execution
  • Listen to the TNT recordings (available at alfred.com/ppcdownloads) to hear how articulation and tempo bring out the clever twists in each piece
  • When navigating 1st and 2nd endings, mark them clearly in your score and practice the transition smoothly so the repetition feels intentional, not mechanical

How to use it

Weave individual pieces from this book into recitals throughout the year as students master each concept, or program several selections together to showcase how much progress a Level 3 student can demonstrate. The rhythmic variety and original voice make these pieces compelling choices for student solo performance, and they align perfectly with building technique during the middle months of the school year when students are ready to move beyond foundational material.

Skills your students will build

  • Playing syncopated and swing rhythms with clarity and precision
  • Mastering chromatic scale fingerings, including pass-under and cross-over techniques
  • Building IV chord vocabulary in C, G, F, and D major
  • Reading and executing 1st and 2nd endings
  • Extending staff reading to ledger lines above and below the stave
  • Developing musical interpretation and phrasing in original compositions

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