Premier Piano Course, Duet 1B Cover Image

Premier Piano Course, Duet 1B: Piano Book

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Premier Piano Course, Duet 1B Cover Image

Premier Piano Course, Duet 1B: Piano Book

Ed. Gayle Kowalchyk and E. L. Lancaster

Level: 1B

Item: 00-44620

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Description
Alfred's Premier Piano Course: Duet 1B includes motivational music that reinforces concepts introduced in Lesson 1B. These duets for one piano, four hands continue the strong pedagogical focus of the course while providing the enjoyment of playing with a friend or family member. Written by America's leading pedagogical composers, these duets contain equally leveled parts for secondo and primo. Within each duet, melodic material is shared between the parts. Styles include ballad, blues, boogie, jazz, ragtime, and latin. Titles: Drum Circle (Dennis Alexander) * Gentle Breeze (Mike Springer) * Irish Festival (Carol Matz) * Little Latin Duo (Wynn-Anne Rossi) * The Metronome (Tom Gerou) * Red Robin Rag (Robert D. Vandall) * Scottish Shortbread (Martha Mier) * Switcheroo Boogie (Melody Bober). "Drum Circle," "Red Robin Rag," and "Switcheroo Boogie" are Federation Festivals 2016-2020 selections. A Federation Festivals 2020-2024 selection. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Premier Piano Course, Duet 1B: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 28
ISBN10: 1-4706-2642-X
ISBN13: 978-1-4706-2642-6
UPC: 038081505381
SKU: 00-44620

More about this title

About the Creator

Alfred's Premier Piano Course was developed by a collaborative team of America's most respected pedagogical composers: Dennis Alexander, Mike Springer, Carol Matz, Wynn-Anne Rossi, Tom Gerou, Robert D. Vandall, Martha Mier, and Melody Bober. Each brings decades of experience writing music that teaches while it delights, with a shared commitment to making piano study engaging and musically rewarding from the earliest stages.

These composers understand what beginning pianists need to hear and play. Rather than abstract exercises, they craft genuine musical moments that reinforce technical concepts through styles students actually want to explore: jazz, blues, ragtime, and world music alongside classical traditions.

Why we love this

The duet format transforms what could be solitary practice into genuine collaboration, and these pieces are written specifically to make both parts equally satisfying to play. Students don't sit through accompaniment tracks; they listen to and respond with a real musician, building ensemble awareness and musicianship at the foundation level. The stylistic variety means you can match pieces to student interests and create memorable recital moments without stepping outside Level 1B repertoire.

What to expect

Colorful and alive. Whether you're stepping into a Scottish dance, grooving through a Latin rhythm, or tapping out a ragtime syncopation, each piece invites you into a distinct musical world. The equally balanced parts mean both players feel the joy of shaping melody and contributing to something bigger than themselves.

Who it's for

Beginning pianists completing Lesson 1B who are ready to experience the satisfaction of playing real music with another person. This book also serves teachers who want stylistically diverse, curriculum-aligned duets that keep early students engaged through performance opportunities.

How to get the most out of it

  • Balance the melodic exchange between primo and secondo. Mark phrases in your copy where the melody shifts hands so neither player gets lost when the spotlight passes.
  • Establish a steady tempo before counting in. These pieces benefit from confidence in your pulse; record yourself tapping the quarter-note beat and practice together against that reference.
  • Let the style dictate your touch. Boogie and ragtime pieces need rhythmic snap and clarity; ballads ask for softer pedal work and singing tone. Discuss the character before you sit down to play.
  • Perform with the score visible but not as a crutch. If students can make eye contact during transitions and endings, the performance gains immensely in maturity.

How to use it

Program duets from this book in student recitals to highlight partnerships and stylistic exploration without jumping levels. Several pieces hold Federation Festivals recognition, making them ideal choices for competitive performance while maintaining the pedagogical integrity of 1B study. Mix individual pieces across the school year to give students recurring performance opportunities as their technique solidifies.

Skills your students will build

  • Listening and responding to an ensemble partner in real time
  • Maintaining steady tempo while tracking a separate melodic line
  • Stylistic interpretation across ballad, blues, boogie, jazz, ragtime, and Latin idioms
  • Reading and executing dynamic and rhythmic changes in four-hand texture
  • Sharing melodic material between hands and between players

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