Preludes & Predilections, Volume 4 Cover Image

Preludes & Predilections, Volume 4: Piano CD

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Preludes & Predilections, Volume 4 Cover Image

Preludes & Predilections, Volume 4: Piano CD

By Bill Dobbins

Item: 01-ADV9035

$18.95
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Description
Hear the composer perform his Preludes (Vol. 4) plus unique arrangements/reharmonizations of Beethoven's "Adagio Cantabile" from the Pathetique Sonata, Op. 13 and the traditional "Amazing Grace."

Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * L.v. Beethoven: Adagio Cantabile * C. Fischer: Ornithardy * C. Fischer: Igor * B. Evans: Comrade Conrad * Amazing Grace (Traditional).

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095090352
SKU: 01-ADV9035

More about this title

About the Artist: Bill Dobbins

Bill Dobbins is a pianist, composer, and educator whose work bridges jazz and classical traditions. Known for his harmonic sophistication and distinctive interpretive voice, Dobbins has spent decades creating original compositions and reimagining standard repertoire through fresh harmonic and stylistic lenses.

Why we love this

Hearing Dobbins perform his own Preludes offers invaluable insight into the interpretive choices that shape these works. The arrangements of Beethoven and "Amazing Grace" demonstrate how a sophisticated jazz sensibility can deepen familiar material without obscuring its emotional core, making this recording both instructive and artistically rewarding.

What to expect

The sound balances precision with warmth, moving fluidly between the introspective character of the Preludes and the reimagined richness of the arranged standards. Dobbins' interpretations emphasize clarity of voicing and purposeful harmonic movement, creating an experience that feels both intellectually engaged and deeply lyrical.

Who it's for

This recording serves pianists and jazz studies students seeking both repertoire familiarity and masterly interpretation. It also supports teachers and composers interested in understanding sophisticated approaches to arrangement and reharmonization from a working professional.

How to get the most out of it

  • Study Dobbins' touch and voicing choices throughout the Preludes; his approach to voice leading and harmonic color reveals compositional intent that written notation alone cannot capture.
  • Pay close attention to his treatment of the Beethoven and "Amazing Grace" arrangements, noting how reharmonization preserves the melodic integrity while expanding harmonic possibilities.
  • Use the recordings as a reference for tempo relationships and phrasing within each piece, particularly in understanding the balance between structural clarity and expressive flexibility.

How to use it

Assign this recording alongside the printed Preludes as a pedagogical tool for jazz piano students learning advanced harmonic vocabulary and interpretation. The arrangements of classical and traditional material also work well in faculty recitals or informal concert settings where genre-bridging programming is valued.

Skills your students will build

  • Listening for harmonic sophistication and voice leading in jazz contexts
  • Understanding reharmonization techniques applied to classical and traditional melodies
  • Recognizing interpretive choices in touch, tempo, and phrasing at an advanced level

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