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Practical Hanon and Schmitt: Piano Book

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Practical Hanon and Schmitt Cover Image

Practical Hanon and Schmitt: Piano Book

40 Exercises from Hanon * 40 Exercises from Schmitt

By Boris Berlin

Item: 00-V1013

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Description
Contains 40 exercises by Hanon and 40 by Schmitt to cover the various aspects of finger technique necessary to acquire agility and strength of fingers, freedom of execution, clarity and perfect control of finger-work and touch and many other qualities. Designed for piano students of all grades, these exercises can successfully be practiced by students after one year of piano study.

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Additional Details
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7579-7998-X
ISBN13: 978-0-7579-7998-9
UPC: 029156979855
SKU: 00-V1013

More about this title

About the Creator: Hanon and Schmitt

Charles-Louis Hanon and Aloys Schmitt represent two distinct approaches to finger technique that emerged in 19th-century piano pedagogy. Hanon's exercises became synonymous with mechanical precision and finger independence, offering straightforward, repetitive patterns designed to build strength and clarity through systematic practice. Schmitt brought a more musical sensibility to technical study, integrating melodic and harmonic content into his exercises so that students developed facility without sacrificing musicality.

Together, these two composers shaped how generations of pianists approached the fundamentals of touch and control. Their exercises remain essential because they address the physical demands of piano playing in a way that transcends any single repertoire or style. A student who masters these 80 exercises gains not just technical ability but the muscular memory and independence needed for any piece they encounter.

Why we love this

This collection gives you a complete technical toolkit in one place rather than scattered across multiple books or supplementary materials. The 44-page format is lean enough that students won't feel overwhelmed, yet substantial enough to provide genuine progress from the first exercise through the final one. You'll appreciate how the Hanon and Schmitt pairing creates natural variety in daily practice; when one set starts to feel mechanical, the other's approach provides fresh stimulus.

What to expect

Working through these exercises feels like building scaffolding for your hands. Repetition becomes meditative as your fingers gradually disengage from conscious thought and simply do the work. The progression from simple to more complex patterns creates a sense of steady accomplishment.

Who it's for

Piano students after their first year of study will find these exercises appropriately scaled to their developing technique. Teachers looking for reliable, no-nonsense material to assign alongside repertoire will value how clearly these exercises target specific technical challenges.

How to get the most out of it

  • Establish a consistent daily rotation through both composers rather than finishing all Hanon before moving to Schmitt. Alternating between them prevents mental fatigue and keeps practice engaging.
  • Focus on evenness of tempo and volume across all fingers before worrying about speed. Once the motion becomes uniform, tempo increases naturally.
  • Record yourself periodically at the same exercises you recorded two weeks prior. You'll hear improvement that daily practice might obscure.

How to use it

Assign these as the backbone of student practice routines during the academic year, rotating through pages weekly so the work becomes habitual rather than burdensome. They work particularly well in tandem with early-intermediate repertoire, since students can apply newly acquired finger independence immediately to their pieces.

Skills your students will build

  • Finger independence and articulation
  • Even tone production across all five fingers
  • Sustained speed without tension
  • Clarity and precision in rapid passages
  • Consistent touch control across dynamic ranges
  • Muscle endurance in the hand and forearm

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