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Postludium. Ice (Postludija. Ledus): Full Scores

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Postludium. Ice (Postludija. Ledus): Full Scores

By Andris Dzenitis

Item: 98-EP73406

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Description

Andris Dzenitis was born in Latvia in 1978. His 13-minute orchestral work, Postludium. Ice is related to his full-length opera Dauka. As the composer says in his notes, this magnificent work forms both a postlude to Dauka and a framework for or epitome of that work.

This full score (EP 73406) is now available as part of the Peters Baltic Library.

  • Peters Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
  • Published in partnership with the leading music publisher from the region: Musica Baltica.
  • Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.


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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-701836-1
ISBN13: 979-0-57-701836-2
SKU: 98-EP73406

More about this title

About the Composer: Andris Dzenitis

Andris Dzenitis, born in Latvia in 1978, is a composer whose work sits at the intersection of orchestral and operatic traditions. His compositional voice draws from the rich musical heritage of the Baltic region while engaging with contemporary forms and harmonic language.

Why we love this

Dzenitis crafts a work that functions independently while maintaining deep ties to his opera Dauka, giving conductors flexibility in how they frame it. The 13-minute span offers substantial musical substance without overwhelming rehearsal schedules, and the string orchestra instrumentation ensures accessibility across different institutional sizes.

What to expect

Postludium. Ice unfolds with the gravitas and reflection you'd expect from music that both concludes and encapsulates a larger dramatic work. The orchestration creates an introspective, architecturally considered soundworld rooted in the Baltic compositional tradition.

Who it's for

Conductors of advanced string orchestras seeking substantial contemporary repertoire that connects to operatic storytelling. This score works for university orchestras, advanced community ensembles, and high school programs with strong string sections looking to expand beyond canonical works.

How to get the most out of it

  • Study Dzenitis's composer notes closely; they illuminate the work's dual function as both postlude and distillation of the larger opera, which informs interpretive choices around pacing and emotional arc.
  • Balance the orchestration carefully between sections, as the postlude format means textural clarity matters more than mass sonority.
  • Attend to the relationship between dramatic gestures and quieter moments; the work's architectural function requires precise control of dynamic contrast.

How to use it

Pair this as a contemporary centerpiece on a concert that might include earlier 20th-century orchestral works, or program it on a concert exploring connections between opera and concert music. Its postlude character makes it particularly effective as a closing work when you want to send audiences out in contemplation rather than triumph.

Skills your students will build

  • Interpreting contemporary orchestral notation and compositional techniques
  • Balancing textural clarity in string-only scoring
  • Understanding structural relationships between dramatic and symphonic forms
  • Responding to a composer's performance notes as a guide to interpretation

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