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Position Etudes (Revised): Violin Book

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Position Etudes (Revised): Violin Book

By Shinichi Suzuki

Item: 00-0096S

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Description
These etudes must be used along with the Suzuki Violin School to learn and master different positions. Dr. Suzuki recommends that first position etudes be started when the student is working on Volume 2. The student should always be careful that fingers are placed before the bow moves. Dr. Suzuki repeatedly says, "One, fingers -- two, bow -- three, start." Since this is the first time the student plays an etude, the teacher needs to explain its purpose.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-87487-096-8
ISBN13: 978-0-87487-096-1
UPC: 654979007142
SKU: 00-0096S
Instrumentation: Violin

More about this title

About the Author: Dr. Shinichi Suzuki

Dr. Shinichi Suzuki revolutionized string pedagogy by developing a method centered on listening, imitation, and sequential skill-building rather than reading notation alone. His philosophy treated music training as a language acquisition process, believing that every child could develop musical ability through proper environment and guidance.

Why we love this

These etudes are essential scaffolding for position work because they isolate the technical demands of shifting without introducing new musical complexity. Students focus entirely on finger placement and bow coordination across positions, which is exactly what Suzuki advocated: master the mechanics first, then make music.

What to expect

Direct and purposeful. Each etude strips away distractions to focus on a single positional challenge, creating a practice experience that feels almost meditative in its clarity.

Who it's for

Students working through Volume 2 or beyond in the Suzuki Violin School who are ready to explore positions beyond first position. These etudes serve as the bridge between foundational repertoire and more complex position work.

How to get the most out of it

  • Enforce the "one, fingers; two, bow; three, start" sequence religiously before each etude. This prevents the common mistake of moving the bow while fingers are still settling into position.
  • Isolate measures where position shifts occur and drill them separately before playing through the full etude.
  • Use the recorded accompaniment to maintain steady tempo while students concentrate on clean, silent shifts without scratching.

How to use it

Integrate these as daily technical work alongside the student's Suzuki repertoire rather than as performance pieces. Use them diagnostically to identify where a student needs reinforcement before moving forward in the method books.

Skills your students will build

  • Silent, accurate finger placement in higher positions before bow initiation
  • Smooth position shifts without audible scratching
  • Intonation accuracy across position changes
  • Coordination between left-hand positioning and right-hand bow control
  • Understanding of hand frame adjustments required for different positions

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