Porgy and Bess®: Choral Highlights Cover Image

Porgy and Bess®: Choral Highlights: Choral Octavo SoundTrax CD

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Porgy and Bess®: Choral Highlights Cover Image

Porgy and Bess®: Choral Highlights: Choral Octavo SoundTrax CD

Featuring: Summertime / I Got Plenty O' Nuttin / Bess, You Is My Woman / Oh Lawd, I'm On My Way

Words and music by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / arr. Douglas E. Wagner

Item: 00-38077

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Description
This classic Gershwin musical score has been given a fine, dramatic choral treatment in this stunning medley, celebrating the show's return to Broadway late in 2011. Optional Concert Band accompaniment is available. Approximately 4:45.

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Additional Details
Publisher: Alfred Music
UPC: 038081425498
SKU: 00-38077

More about this title

About the Composer: Dorothy Heyward

Dorothy Heyward (1890–1961) was a playwright and librettist whose collaboration with DuBose Heyward on Porgy and Bess produced one of the most significant American operas ever created. Working alongside composer George Gershwin and lyricist Ira Gershwin, she shaped the dramatic arc and emotional authenticity of the story, bringing literary sophistication to the musical's adaptation from the novel Porgy.

Why we love this

This medley captures the theatrical grandeur of Gershwin's score while remaining entirely singable for a mixed choir. Douglas E. Wagner's arrangement gives you access to one of Broadway's most celebrated works without requiring your ensemble to learn an entire opera, and the SoundTrax CD accompaniment means your singers can hear exactly how the parts sit within a full orchestral context.

What to expect

The music swells with bluesy warmth and Tin Pan Alley sophistication, moving between intimate vocal moments and lush ensemble passages that recall the humid, emotional landscape of Charleston. You're singing some of the most memorable melodies ever written for the American stage, filtered through Gershwin's gift for combining popular song idiom with genuine harmonic depth.

Who it's for

This octavo works for high school and college choirs seeking standard-length, dramatically satisfying repertoire that connects to Broadway and American musical theater. Directors looking to program recognizable, culturally significant music without the time commitment of a full opera will find this medley essential.

How to get the most out of it

  • Balance the jazz inflections in the vocal lines with clear diction; Gershwin's blues-influenced melodies demand rhythmic precision and conversational phrasing rather than operatic formality.
  • Use the recorded accompaniment in rehearsal to help singers hear the harmonic language and idiomatic accompaniment patterns, then gradually reduce dependence on the track as ensemble confidence builds.
  • Shape the medley's emotional trajectory by adjusting dynamics and tempo slightly at the transitions between contrasting sections, allowing each highlight to breathe as its own moment.
  • Pay attention to the optional Concert Band accompaniment if your school has one available; it offers a different color option and engages your instrumental program in the performance.

How to use it

Open a concert with this medley to signal artistic ambition and crowd appeal in equal measure, or place it as a centerpiece that showcases your choir's ability to handle jazz-influenced, contemporary-adjacent repertoire. It pairs naturally with other American standards and provides a bridge between classical choral literature and musical theater that many audiences find irresistible.

Skills your students will build

  • Singing jazz-influenced rhythms and syncopation with accuracy
  • Balancing operatic technique with contemporary, speech-like diction
  • Responding to harmonic language that blends chromatic and blues-based sonorities
  • Maintaining ensemble blend across dramatic dynamic shifts and medley transitions
  • Following and interpreting a professional recorded accompaniment

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