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Pop Trios for All (Revised and Updated): Horn in F Book

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Pop Trios for All (Revised and Updated) Cover Image

Pop Trios for All (Revised and Updated): Horn in F Book

Playable on Any Three Instruments or Any Number of Instruments in Ensemble

Arr. Michael Story

Item: 00-30703

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Description
Pop Trios for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles are: Old Time Rock and Roll * Sing, Sing, Sing * Hedwig's Theme * You Raise Me Up * All I Wanna Do * The Magnificent Seven * This Is It! * Mack the Knife * Can You Read My Mind? * Crazy In Love * The Pink Panther * Star Wars Main Title * I'll Be There For You * American Idiot * Hips Don't Lie.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-5440-6
ISBN13: 978-0-7390-5440-6
UPC: 038081333625
SKU: 00-30703
Instrumentation: Horn in F

More about this title

About the Arranger: Michael Story

Michael Story has established himself as a prolific arranger and composer for school and community ensembles, with a particular gift for making popular music accessible across multiple ability levels. His work with the For All series has shaped how many music programs introduce students to contemporary songs, blending pedagogical clarity with genuine musical substance.

Why we love this

Story's arrangements capture the energy and groove of these iconic pop songs while respecting the acoustic reality of horn players at varying levels. The consistent measure numbering and no-page-turn format eliminate rehearsal friction, letting you focus on musicianship rather than logistics. Fifteen familiar titles give horn players genuine excitement about what they're learning to read.

What to expect

Pop Trios for All captures the swagger and drive of classic and modern pop hits, scaled for the acoustic reality of young brass players. Every song lands with enough groove and recognizable melody to feel like a real performance, not a study piece, even when you're reading at Grade 1 difficulty.

Who it's for

Horn players in grades 5 through 8 (and beyond) who are still building fluency in mixed keys and contemporary rhythms. The graded difficulty means each horn part offers an appropriate challenge, whether this is a newcomer's first trio experience or a chance for intermediate players to solidify ensemble skills and musicianship.

How to get the most out of it

  • Balance your tone with the other parts by listening to the full chord underneath your line, even when the melody sits with a different instrument.
  • The alternate notation options mean you can transpose or adjust passages on the fly; mark your part clearly in rehearsal so the change sticks.
  • Lock into the rhythmic pocket early and often. Pop grooves demand precision in syncopation, so isolate and tap-count any tricky figures before full ensemble rehearsals.
  • Bring confidence to sustained notes and half-step approach figures; they're common in these arrangements and need to sit with the same weight as the flashier passages.

How to use it

Program these trios for informal concerts, family nights, or festival showcases where you want to celebrate student progress with songs the audience genuinely knows and loves. They also work beautifully as sectional warm-up repertoire before diving into larger ensemble work, building confidence and intonation awareness in a low-pressure, fun context.

Skills your students will build

  • Reading in multiple keys across the range of F horn
  • Sight-reading syncopated rhythms in pop and rock styles
  • Balancing a melodic line within a three-part harmonic texture
  • Counting through alternate notation passages and transpositions
  • Ensemble listening and rhythmic precision in groove-based music
  • Flexible articulation and tonguing for different musical styles

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