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Pollo Rojo: Jazz Ensemble Conductor Score

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Pollo Rojo: Jazz Ensemble Conductor Score

By Les Sabina

Grade: 1 (Easy)

Item: 00-43735S

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Description
Check out the "red chicken!" "Pollo Rojo" is a Latin cha-cha performed at 146 BPM that includes easy brass ranges, a written-out alto sax solo, section solis, and a cool melody. (2:59) This title available in MakeMusic Cloud.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 16
UPC: 038081502922
SKU: 00-43735S

More about this title

About the Composer: Les Sabina

Les Sabina

Les Sabina earned degrees from four major universities: the University of Toronto, the University of Windsor, the University of Miami, and Michigan State University. He currently serves as professor of music and chair of the Department of Visual and Performing Arts at St. Bonaventure University in upstate New York.

As a saxophonist, Sabina has shared the bandstand with jazz luminaries including Dizzy Gillespie, J.C. Heard, Joe Williams, Della Reese, and Manhattan Transfer. He performs regularly with the Buffalo Philharmonic Orchestra and the BPO Jazz All-Stars, and has written a monthly jazz transcription column for Jazz UK Journal, bringing his performance experience and analytical insight to jazz education.

Why we love this

Sabina's Latin charts for beginning ensembles strike the rare balance between authentic style and genuine ease. The straightforward brass ranges and the written-out alto solo give students real improvisation exposure without the intimidation factor, while the cha-cha groove keeps the energy high and the fun quotient undeniable.

What to expect

Bright, playful, and unmistakably Latin. The cha-cha rhythm rolls forward with infectious ease, and the 'red chicken' character bounces through every section. It's the kind of tune that makes a room smile.

Who it's for

Conductors starting a first-year jazz ensemble who need accessible but genuine Latin material. This works equally well for directors introducing students to jazz vocabulary, improvisation, and section writing without leaving anyone behind.

How to get the most out of it

  • Keep the cha-cha pocket tight by having the rhythm section lock in on the kick drum and bass pattern before bringing in the full ensemble. The groove is the foundation here.
  • Feature the written-out alto sax solo confidently. This is a chance for that player to shine, so encourage phrasing and dynamics rather than just reading the notes.
  • Balance the section solis so each part group gets its moment without overpowering the ensemble texture. Use rehearsal to bring out each passage without burying the overall melodic line.
  • Let the melody breathe at 146 BPM. Avoid rushing the tempo; Latin feels best when the players are comfortable and grooving, not scrambling.

How to use it

Open a concert with it. The Latin flavor contrasts nicely against bebop or ballad charts later in the set, and at under three minutes, it leaves the audience wanting more. It also works as a contest piece for younger ensembles building confidence before tackling more complex charts.

Skills your students will build

  • Latin rhythm interpretation and cha-cha groove fundamentals
  • Reading and performing written-out solo passages with phrasing
  • Section soli balance and ensemble awareness
  • Appropriate brass range management for beginning students
  • Jazz ensemble texture and blend at a fundamental level

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