Polkadots and Moonbeams: 4th B-flat Trumpet

Dave Wolpe's bossa nova arrangement respects the harmonic elegance of Van Heusen's melody while giving it contemporary rhythmic life, and the inclusion of both a vocal solo and a written tenor sax alternative makes this one flexible chart for any vocal jazz ensemble situation. The two-key option (F and E-flat) means you can cast this with confidence, and the written tenor solo gives your soloist something substantial to sink teeth into. This is exactly the kind of standard that belongs in a jazz ensemble's repertoire: sophisticated enough to engage serious players and singers, accessible enough that students grasp why this song has lasted seventy years.

Sophisticated and warm, with the gentle swing of bossa nova giving the standard a relaxed sophistication. The melody sits comfortably in the voice, and the arrangement lets singers breathe with the space and phrasing the lyric deserves, while the rhythm section drives the groove with understated elegance.

Vocal jazz ensembles and jazz bands with a strong vocalist and reliable tenor saxophonist. This works equally well in a jazz combo context with piano, bass, drums, trumpet, and tenor sax, or in a fuller big-band setting where you want to feature both voices and horns.

• Balance the ensemble sound around the vocal line; the rhythm section should lock in tight without overwhelming the lyrical quality the vocalist needs to shape the phrase
• Work the written tenor saxophone solo as a featured moment; this is a chance for your section's strongest improvisor to shine with pre-composed material that sits comfortably in the horn
• Let the bossa rhythm breathe—resist the urge to push the tempo; the groove should feel relaxed and in the pocket rather than rushed
• If you use the substitute tenor melody (in place of the vocal), treat it as a full soloist feature with the same attention to phrasing and dynamics you'd give a vocalist

This works beautifully in a jazz concert program where you're alternating vocal and instrumental features; program it alongside a straight-ahead swing chart to show your ensemble's range of style. It's also a strong choice for a vocal jazz showcase or an evening that highlights both your vocalist and your tenor section.

• Singing over jazz harmony and understanding chord-scale relationships from a vocalist's perspective
• Playing jazz time feel and bossa nova rhythm in an ensemble context
• Reading and interpreting a written saxophone solo with appropriate jazz phrasing and articulation
• Balancing individual soloists with ensemble texture and supporting them as an accompaniment