Point of Departure Cover Image

Point of Departure: Concert Band Conductor Score & Parts

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Point of Departure Cover Image

Point of Departure: Concert Band Conductor Score & Parts

By Bryce Newton

Grade: 1

Item: 98-RWS251500

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Description
This regal composition offers young brass players a straightforward and effective approach to practicing basic lip slurs. Thoughtfully designed, Point of Departure by Bryce Newton keeps all parts within the first instructional octave, allowing students to strengthen fundamental techniques while gaining confidence for concert performance. Ideal as a concert opener, it delivers both educational value and engaging programming, making it a standout addition to any performance. (1:35)

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Additional Details
Series: RWS - Beginning Band
Publisher: RWS Music Company
ISBN10: 1-4706-7912-4
ISBN13: 978-1-4706-7912-5
UPC: 038081603476
SKU: 98-RWS251500

More about this title

Why we love this

Newton crafts a piece that genuinely serves two purposes at once: your brass section gets focused technical work on lip slurs, and your band sounds polished enough to open a real concert. The regal character means students aren't playing exercises; they're playing music that matters.

What to expect

Regal and purposeful. The piece opens with authority and maintains an inviting, stately character that rewards careful listening. There's real dignity here, not a march or fanfare, which helps students understand that warm-up music can also be concert music.

Who it's for

Beginning concert bands with developing brass sections. This works whether your students are in their first or second year of band, since the writing stays within a comfortable technical range while still demanding musical maturity.

How to get the most out of it

  • Shape the phrase through dynamic control rather than tempo changes. Young players often rush when excited, so a steady conductor beat helps them hear their own tone development.
  • Balance the brass voices so the melody registers clearly without overpowering the supporting parts. Test this at a rehearsal before the final dress run.
  • Give brass players permission to work the slurs slowly in sectionals. They'll gain confidence faster if they can isolate the technique without the pressure of ensemble timing.

How to use it

Program this as your concert opener to set a serious, capable tone immediately. It also works well as a festival or contest submission where adjudicators appreciate seeing young brass players tackle lip slurs with musical confidence rather than mechanical precision.

Skills your students will build

  • Lip slurs across the range of first instructional octave
  • Sustaining tone with tonal control and consistency
  • Reading and performing in concert band texture
  • Responding to conductor phrasing and dynamic shaping

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