Point of Departure: Concert Band Conductor Score & Parts
By Bryce Newton
Grade: 1
Item: 98-PK-RWS2515
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Point of Departure: Score | $10.00 | |
| Point of Departure: Flute | $3.99 | |
| Point of Departure: Oboe | $3.99 | |
| Point of Departure: B-flat Clarinet | $3.99 | |
| Point of Departure: B-flat Bass Clarinet | $3.99 | |
| Point of Departure: Bassoon | $3.99 | |
| Point of Departure: E-flat Alto Saxophone | $3.99 | |
| Point of Departure: B-flat Tenor Saxophone | $3.99 | |
| Point of Departure: E-flat Baritone Saxophone | $3.99 | |
| Point of Departure: B-flat Trumpet | $3.99 | |
| Point of Departure: F Horn | $3.99 | |
| Point of Departure: Trombone | $3.99 | |
| Point of Departure: Euphonium B.C. | $3.99 | |
| Point of Departure: Euphonium T.C. | $3.99 | |
| Point of Departure: Tuba | $3.99 | |
| Point of Departure: Mallet Percussion | $3.99 | |
| Point of Departure: Timpani | $3.99 | |
| Point of Departure: 1st Percussion | $3.99 | |
| Point of Departure: 2nd Percussion | $3.99 |
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Point of Departure: Concert Band Conductor Score & Parts |
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Description
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More about this title
Why we love this
Newton understands that young brass players need repertoire that challenges their fundamentals without overwhelming them. This piece accomplishes that balance while sounding polished enough for a real concert, which means your students get genuine performance experience alongside technical skill-building.
What to expect
Regal and purposeful. The piece moves with quiet dignity, giving each phrase room to breathe while maintaining forward momentum. It sounds like the opening of something important, which is exactly what a concert needs.
Who it's for
Grade 1 concert bands preparing their first polished performance or contest submission. Young brass players who have mastered valve fundamentals and are ready to tackle smooth pitch changes across the staff.
How to get the most out of it
- Work the lip slurs in isolation during sectional rehearsals before running the full piece. Have brass players focus on smooth pitch transitions without using the valves or slides to compensate.
- Anchor the tempo with a clear pulse from the lower reeds and percussion. Young brass players often rush through passages, so a rock-solid foundation helps them breathe and shape their lines naturally.
- Balance the brass choir carefully in the opening measures. With all parts in the first octave, it's easy for one section to overshadow another, so use dynamics and sectional balance checks to ensure clarity.
How to use it
Open a concert or festival performance with this piece. Its confidence and clarity make it an effective introduction to your ensemble's sound, and the modest technical demands mean your students can focus on musicality rather than survival.
Skills your students will build
- Lip slurs within the first octave
- Breath control and phrase shaping in longer lines
- Listening to and balancing within a brass choir
- Concert performance poise and confidence