Poem for Orchestra Cover Image

Poem for Orchestra: Full Orchestra Conductor Score

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Poem for Orchestra Cover Image

Poem for Orchestra: Full Orchestra Conductor Score

By John Tatgenhorst

Grade: 3.5

Item: 00-29694S

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Description
Originally written for and recorded by the London Symphony Orchestra, this tender, expressive piece will provide an opportunity for development of lush, sensitive playing. Sure to touch the hearts of players and audience alike! (2:40)

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 12
UPC: 038081330259
SKU: 00-29694S

More about this title

About the Composer: John Tatgenhorst

John Tatgenhorst

John Tatgenhorst spent his formative years at the piano before pivoting to orchestration and composition at age twelve. After earning degrees in music composition from Ohio State University and pursuing graduate studies at Northwestern and UCLA, he apprenticed in film and television scoring under some of Hollywood's most respected composers. Since founding John Tatgenhorst Music, Inc. in 1981, he has created over 600 published works and maintained steady output for major television networks and studios including ABC, CBS, Fox, Disney, and Sony.

His arrangements and original compositions have graced concert stages from the Boston Pops to the Hollywood Bowl, and he has conducted recording sessions with the London Symphony Orchestra at Abbey Road and the Royal Philharmonic Orchestra. His portfolio spans orchestral adaptations of major film scores as well as original concert works written specifically for ensemble performance.

Why we love this

Tatgenhorst crafts orchestration that lets young players experience the textural sensitivity of professional chamber thinking without requiring advanced technical facility. A piece recorded by the London Symphony Orchestra proves the material serves both educational ensembles and accomplished groups, making it equally at home in your concert or festival rotation.

What to expect

Lyrical and contemplative, unfolding like a gentle conversation between instruments. The piece invites listeners into intimate musical storytelling, combining clear harmonic language with genuine emotional depth that feels earned rather than manufactured.

Who it's for

Orchestras at the upper intermediate level seeking repertoire that develops expressive musicality alongside technical growth. Directors preparing a concert or festival program need material that feels substantial and moving without overwhelming younger or less experienced players.

How to get the most out of it

  • Shape long phrases with subtle dynamic undulation rather than holding static volumes; even the quietest sections benefit from small ebbs and flows that maintain musical momentum.
  • Balance transparent textures by ensuring inner voices cut through rather than blend into the harmonic background; mark which sections carry the primary melody in your parts.
  • Let the recorded LSO performance inform your conception of tone quality, but trust your own ensemble's voice and capabilities rather than forcing an imitation.

How to use it

Position this as an opener or second piece on a concert program to establish an emotional foundation before moving to lighter or more energetic works. Its modest length and sensitive nature also make it ideal for festival performances where you want to demonstrate artistic maturity alongside technical progress.

Skills your students will build

  • Balancing transparent orchestral textures across multiple voice lines
  • Sustaining consistent tone quality at soft dynamic levels
  • Shaping long melodic phrases with subtle dynamic inflection
  • Responding to conducting gestures that communicate expressive intention rather than just metric precision

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