Poem, A. 93 Cover Image

Poem, A. 93: Flute, Solo with Piano, Solo with Piano (LUDWIGMASTERS)

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Poem, A. 93 Cover Image
Poem, A. 93: Flute, Solo with Piano, Solo with Piano (LUDWIGMASTERS)

Poem, A. 93: Flute, Solo with Piano, Solo with Piano (LUDWIGMASTERS)

By Charles Tomlinson Griffes, arr. and ed. Georges Barrere

Item: 36-M282291
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Description
Poem for Flute and Orchestra is arguably the most oft-performed work by Charles Tomlinson Griffes (1884-1920). Premiered by the New York Symphony Society under the direction of Walter Damrosch. It is somewhat reminiscent of Debussy's Prelude to the Afternoon of a Faun, with its languid flute solo, impressionistic harmonies, and delicate orchestration. Georges Barrère, who performed the solo part at the premiere, arranged and edited this version for flute and piano.

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Additional Details
Series: Master Woodwind Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355061196
SKU: 36-M282291
Instrumentation: Flute and Piano

More about this title

About the Composer: Charles Tomlinson Griffes

Charles Tomlinson Griffes (1884-1920) was an American composer whose brief but prolific career left an indelible mark on early twentieth-century music. Working primarily in the impressionistic idiom, Griffes absorbed influences from Debussy and Ravel while forging a distinctly American voice characterized by lush harmonies, exotic orchestrations, and refined sensibility.

Though he died at just thirty-five, Griffes created a substantial catalog of art songs, piano works, and orchestral pieces that remain central to the flute repertoire. Poem stands as his most frequently performed work, a testament to its immediate appeal and enduring musical substance.

Why we love this

Griffes captures an entire impressionistic world in a single, unforgettable flute line. The piano reduction retains the essential character of the orchestral version while remaining eminently playable, making this a perfect entry point to early twentieth-century art music for advancing flute students.

What to expect

Poem unfolds like a waking dream, its opening flute melody hovering above shimmering piano chords that evoke both water and light. The work sustains an atmosphere of gentle yearning and introspection, with moments of passion that never break the spell of reverie.

Who it's for

This arrangement serves flute students at the intermediate-to-advanced level who are ready to explore the coloristic possibilities of their instrument. It offers pianists an equally rewarding partner part that demands sensitivity to impressionistic harmony and orchestral textures.

How to get the most out of it

  • Shape the opening phrase with unhurried breath support and seamless legato; the flute's languid character depends on absolute control of air flow across longer melodic arcs.
  • Balance the flute's soaring passages against the piano's impressionistic harmonies by listening closely to the accompaniment and adjusting dynamic contours to let the orchestral color emerge.
  • Experiment with rubato in the cadenza-like moments to mirror the dreamlike quality; Griffes expects flexibility within the written measures, not strict metronomic precision.
  • Employ subtle dynamic shaping within individual phrases rather than dramatic contrast between sections; the work's power lies in refined gradations of color and intensity.

How to use it

Pair this with other early twentieth-century salon or concert pieces to create a recital section devoted to impressionism. It works beautifully as a standalone encore or as part of a themed program exploring the flute's role in modernist chamber music.

Skills your students will build

  • Sustained legato phrasing across long melodic lines
  • Dynamic shaping within impressionistic harmony
  • Flexible interpretation of non-functional harmonic movement
  • Collaborative listening and balance with piano accompaniment
  • Execution of ornamental figures in the impressionistic idiom

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