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Plenty Good Room: Choral Octavo SoundTrax CD

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Plenty Good Room: Choral Octavo SoundTrax CD

Arr. Donald Moore

Item: 00-23450

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Description
Donald Moore gives new energy to a traditional American spiritual by adding new words and contemporary musical sensibilities. Each time the chorus returns it is more embellished until reaching its ultimate "rock out" potential. The bass section gets some great moments in the SATB and SAB voicings, and Part II isn't left out in the 2-part. Optional SoundTrax CD and SoundPax parts that really deliver the goods.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081237749
SKU: 00-23450

More about this title

About the Arranger: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has established himself as a prolific composer and arranger with over 500 works published across major music houses including Alfred Music, Hal Leonard, and Heritage Music Press.

Moore's output spans sacred choral works, secular education pieces, pop arrangements, organ and piano compositions, and instructional books. His works regularly appear at state contests and festivals, and he is a seventeen-time recipient of the ASCAP Composers Standard Award. The American Choral Directors Association recognized him among 400 elite composers of significance in American choral music history.

Why we love this

Moore transforms a familiar spiritual into something that evolves right before your singers' ears. Rather than a static arrangement, this piece builds energy with each chorus repetition, rewarding rehearsal effort with an exciting payoff. The bass parts in particular shine across all three voicings, giving low voices something genuinely rewarding to sing.

What to expect

The arrangement honors the spiritual's roots while injecting contemporary sensibility and rhythmic drive. As the chorus repeats, it accumulates texture and intensity, building from a grounded beginning to something celebratory and energized. There's genuine joy in the final payoff when the piece reaches its fullest, most embellished form.

Who it's for

Directors working with SATB, SAB, and 2-part choirs who want to feature a spiritual in a way that feels fresh and engaging without losing its foundation. This works well for choirs with confident singers who can handle contemporary musical gestures and singers confident enough to commit to the rock-out energy at the piece's climax.

How to get the most out of it

  • Explore the escalating embellishments in the chorus carefully during early rehearsals. Mark the progression from verse to first chorus to final climax so singers understand they're building toward something, not repeating the same material.
  • Balance the bass section's featured moments so they cut through without overshadowing the other parts. These lines deserve prominence but the overall blend should feel cohesive.
  • Use the recorded accompaniment to lock in the contemporary harmonic language, especially in the rock-out sections where groove and timing matter more than in traditional spirituals.
  • Attend to the text changes Moore introduces. The updated lyrics merit clear diction work so the contemporary voice of this arrangement comes through.

How to use it

Program this as a concert closer or as part of a spirituals set where you want to show the genre's evolution and versatility. The progressive energy works well strategically in a concert arc, especially if you pair it with more traditional spiritual arrangements earlier in the program to highlight the contrast.

Skills your students will build

  • Singing layered embellishments and variations that develop across multiple repetitions
  • Balancing contemporary harmonic language with traditional spiritual roots
  • Ensemble precision in rock-influenced rhythmic sections
  • Dynamic control across a wide range from grounded verses to high-energy climax
  • Bass part independence and confidence in featured moments

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