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Playing Outside the Chord: Keyboard/Piano Book

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Playing Outside the Chord Cover Image

Playing Outside the Chord: Keyboard/Piano Book

By David Kane

Item: 24-OTC

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Description
Sure, everybody has an opinion on how to play "outside." But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It's a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand.

"This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the "feeling" and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music." - David Liebman.

LEVEL-UP!!! If you're feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions.

Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox.

Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of "outside" play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane's insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. 164 pages.

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Additional Details
Publisher: Jamey Aebersold Jazz
ISBN10: 1-56224-324-1
ISBN13: 978-1-56224-324-1
UPC: 635621501607
SKU: 24-OTC
Instrumentation: Piano

More about this title

About the Creator: David Kane

David Kane has spent years studying how jazz's most adventurous players think about and execute lines that break free from harmonic convention. Rather than treating "outside" playing as a collection of tricks, Kane positions it as a learnable language rooted in the practices of musicians ranging from Bach through the 20th-century jazz innovators.

His approach centers melody and the listener's experience, moving beyond the typical harmony-focused pedagogy. This book reflects Kane's commitment to making advanced concepts accessible without sacrificing depth or rigor.

Why we love this

Kane organizes a potentially overwhelming topic into clear, digestible categories while keeping the focus on what the ear actually hears rather than just what the theory explains. The transcribed phrases from major jazz players give students real models to study, and the emphasis on melodic thinking rather than harmonic mechanics shifts how pianists approach improvisation and composition altogether.

What to expect

The exploration feels rigorous yet liberating. You move through carefully chosen examples that show why playing outside can be beautiful and intentional rather than random or discordant; the result is a sense of expanded possibility and creative permission.

Who it's for

Pianists and keyboardists serious about improvisation who feel constrained by traditional harmonic approaches. This book serves musicians at an intermediate-advanced level who want to understand not just the mechanics but the intention behind playing outside.

How to get the most out of it

  • Listen to the original recordings of the transcribed phrases multiple times before analyzing the notation; let your ear absorb the phrasing, dynamics, and timing that notation alone cannot capture.
  • Start by singing or playing the outside lines on their own, isolated from harmonic context, to internalize the melodic shape independent of chord changes.
  • Study the historical examples Kane traces (Bach through Schoenberg) to understand how chromaticism has operated across different musical traditions before applying it to jazz improvisation.

How to use it

Assign sections of this book to jazz students working on solo transcription and analysis projects. It pairs well with recordings of the featured players and can frame discussions about how 20th-century thinking reshaped improvisation practices.

Skills your students will build

  • Analyzing chromaticism in melodic lines across multiple musical genres
  • Improvising outside the chord with intentionality and musicality
  • Transcribing and understanding jazz soloist phrasing and attack
  • Connecting historical compositional practice to contemporary improvisation
  • Evaluating the effect of outside lines on the listener rather than relying solely on theory justification

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