Play Mormon Hymns, Book 2 Cover Image

Play Mormon Hymns, Book 2: Piano Book

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Play Mormon Hymns, Book 2 Cover Image

Play Mormon Hymns, Book 2: Piano Book

12 Piano Arrangements of Traditional Hymns

Arr. Linda Christensen and David M. Love

Level: Late Elementary

Item: 00-46283

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Description
In Play Mormon Hymns, Book 2, pianists young and old will find accessible arrangements of beloved LDS hymns, which are a continuous source of inspiration and an important part of worship services. The attractive solo arrangements in this book include rich-sounding accompaniments that can be played by a teacher, a parent, or an older sibling. Titles: Choose the Right * Come, Ye Children of the Lord * Do What Is Right * God Be with You Till We Meet Again * God of Our Fathers, Whose Almighty Hand * God Speed the Right * I Need Thee Every Hour * I'll Go Where You Want Me to Go * Israel, Israel, God Is Calling * Now Let Us Rejoice * Oh, What Songs of the Heart * Onward, Christian Soldiers. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Play Mormon Hymns, Book 2: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Play Mormon Hymns
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-3958-0
ISBN13: 978-1-4706-3958-7
UPC: 038081534077
SKU: 00-46283

More about this title

Why we love this

These arrangements balance accessibility with genuine musicality, giving late elementary pianists the chance to play hymns they know and love without sacrificing harmonic richness. The dual-part format (solo melody with accompaniment) means students can perform meaningfully right away while building confidence, and it opens programming possibilities for recitals, services, or family performances where a supporting pianist adds texture and support.

What to expect

Reverent and grounded, with the warmth of accompaniment that transforms simple melodies into fuller musical statements. Each hymn carries its own character—some gentle and reflective, others sturdy and confident—yet all benefit from thoughtful harmonies that honor the source material while remaining playable by young hands.

Who it's for

Late elementary pianists who are ready for repertoire with substance and meaning, particularly those in LDS communities or piano studios seeking sacred music appropriate for developing players. Teachers and parents working with students who value playing music central to their faith will find these arrangements give young pianists access to familiar, spiritually significant melodies.

How to get the most out of it

  • Shape the solo line with clear phrasing; these hymn melodies are often singable, so let the vocal contour guide your breath and articulation even though you're playing an instrument.
  • Coordinate with your accompanist before the first rehearsal to establish tempo and balance. The supporting part should enhance without overwhelming the melody.
  • Pay attention to the harmonic movement underneath the melody. Understanding how the chords change helps you hear the music as a unified whole, not just two separate parts.
  • Practice the solo and accompaniment separately at first, then combine them at a slower tempo until both parts feel secure together.

How to use it

Ideal for LDS congregational services, Sunday School performances, or multi-generational family recitals where young pianists want to contribute meaningful music. The collection also works well in piano studio recitals focused on sacred or community music, and several titles appear frequently enough in other repertoire that programming a hymn arrangement alongside classical or contemporary pieces creates cohesive programming around a theme.

Skills your students will build

  • Voice leading and harmonic awareness through accompaniment parts
  • Tempo stability and coordination in duo settings
  • Phrasing and expression in lyrical, vocal-style melodic lines
  • Chord recognition and harmonic context within familiar music
  • Ensemble listening and balance awareness

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