Play Jazztime Violin Cover Image

Play Jazztime Violin

$15.99 USD
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Play Jazztime Violin Cover Image

Play Jazztime Violin

Hits from the '20s and '30s

Arr. Edward Huws Jones

Item: 12-0571519083

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Additional Details
Series: Faber Edition: Play Jazztime
Publisher: Faber Music
ISBN10: 0-571-51908-3
ISBN13: 978-0-571-51908-8
UPC: 571519083000
SKU: 12-0571519083
Instrumentation: Violin & Piano

More about this title

About the Arranger: Edward Huws Jones

Edward Huws Jones is a composer and arranger whose work spans classical training and popular music styles. His arrangements are distinguished by their accessibility without sacrificing musical integrity, making them especially valued in music education settings where expanding genre exposure matters.

Why we love this

Jones brings jazz vocabulary into violin pedagogy in a way that feels natural, not forced. The pairing with piano means students engage with the full harmonic language of jazz rather than simplified lead sheets, giving them genuine insight into how jazz musicians think about melody and accompaniment.

What to expect

These pieces have the swagger and conversational quality that jazz values. Melodies often sit in the upper register of the violin, giving them room to sing, while the harmonic changes underneath create that satisfying sense of harmonic movement that makes jazz rewarding to play.

Who it's for

Violin students who have solid fundamentals and are ready to explore stylistic territory beyond classical and contemporary classical. Advanced high school students and adult learners benefit most from the harmonic complexity and the expectation that you'll listen actively to how the piano voices chords.

How to get the most out of it

  • Treat the piano part as your rhythm section anchor. Listen carefully to how the accompaniment interprets swing feel and let that shape your phrasing rather than imposing classical articulation.
  • Mark the recordings in your part before your first rehearsal. Identify where melodic ideas repeat or transform so you can internalize the form without constant score-checking.
  • Experiment with relaxing your vibrato in passages marked with a lighter character. Jazz articulation often calls for a different vibrato speed and width than standard classical repertoire.
  • Work through the rhythm notation slowly before performance tempo. Jazz notation can include specific syncopations and tie placements that feel unnatural until they're in your fingers.

How to use it

Consider opening a spring concert with one of these arrangements to signal a shift in musical direction for your audience. They also work well as a bridge in a mixed-repertoire recital, connecting students' classical training to contemporary styles without jarring tonal shifts.

Skills your students will build

  • Reading swing notation and interpreting jazz articulation marks
  • Listening to and responding to harmonic changes in real time
  • Adjusting vibrato and tone color for a different stylistic idiom
  • Understanding melody-accompaniment relationships in jazz voicing

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