Play Hymns, Book 4 Cover Image

Play Hymns, Book 4: Piano Book

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Play Hymns, Book 4 Cover Image

Play Hymns, Book 4: Piano Book

11 Piano Arrangements of Traditional Favorites

Arr. Melody Bober and Robert D. Vandall

Level: Intermediate

Item: 00-37120

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Description
In Play Hymns, Book 4, pianists young and old will find accessible arrangements of beloved hymns, which are a continuous source of inspiration and an important part of worship services. Titles: All Hail the Power of Jesus' Name * Amazing Grace! How Sweet the Sound * Beneath the Cross of Jesus * I've Got Peace like a River * Joyful, Joyful, We Adore Thee * Just As I Am * Kum Ba Yah * Rock of Ages, Cleft for Me * Simple Gifts * Sweet Hour of Prayer * To God Be the Glory.

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Additional Details
Series: Play Hymns
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-7741-4
ISBN13: 978-0-7390-7741-2
UPC: 038081412368
SKU: 00-37120

More about this title

About the Arranger: Melody Bober

Melody Bober

Melody Bober brings two decades of public school teaching experience and advanced training in both piano performance and music education to her compositions. She holds a master's degree in piano performance from Minnesota State University, Moorhead, and studied under acclaimed pianists Joel Shapiro and Andrew Froelich. Her work as a church pianist and former music director informs her deep understanding of sacred repertoire and congregational music.

Beyond her private studio teaching in Minnesota, Melody is a sought-after clinician who leads workshops and conventions for piano teachers across North America. Her compositions consistently prioritize accessibility without sacrificing musicality, helping students develop genuine enthusiasm for the pieces they learn.

Why we love this

These arrangements strike the rare balance of being genuinely playable for intermediate pianists while remaining musically satisfying and spiritually resonant. Bober's church background means she understands how hymns function in worship, so each arrangement respects the melodic integrity of the original while offering thoughtful harmonic support that students actually enjoy learning. The collection spans well-known favorites and lesser-known gems, giving you programming flexibility whether you're planning a spring concert, a church service, or building confidence in a student who needs material with immediate emotional payoff.

What to expect

Playing these hymns feels like stepping into a tradition that connects you to countless generations of musicians. The arrangements are warm and accessible, with clear melodies that sing naturally under your fingers while the accompanying voices provide harmonic substance without overwhelming your attention. There's a quietness here, even in the more joyful pieces, that invites reflection and presence.

Who it's for

Intermediate pianists of all ages who want to engage with hymns as living musical literature rather than lead sheets. Students preparing for church or community performances, as well as pianists seeking material with spiritual depth that doesn't require advanced technique.

How to get the most out of it

  • Maintain steady harmonic movement in your left hand without rushing through the bass line; these hymns work best when the accompaniment feels unhurried and supportive rather than driving forward.
  • Shape each phrase vocally, even though you're playing piano alone. Listen for where the melody wants to breathe and let your rubato follow the natural phrasing of the hymn text.
  • Experiment with dynamic layering. Many of these pieces work beautifully as soft, intimate arrangements, but they can also support fuller, more confident playing depending on the worship context or concert setting.
  • Pay attention to the pedal markings. Sacred repertoire often benefits from subtle pedal changes that color the harmonies without muddying the clarity of the melody.

How to use it

Include a hymn arrangement or two in a spring recital to provide contrast with more contemporary or virtuosic repertoire your students are learning. These pieces work particularly well as opening or closing numbers for a program, setting a contemplative tone. You might also assign selections from this collection to intermediate pianists who serve as accompanists for choirs, handbell ensembles, or worship settings in your school or community.

Skills your students will build

  • Accompanying and harmonic awareness through left-hand independence
  • Hymn phrasing and the relationship between melody and text
  • Pedal technique and tonal coloring in sustained arrangements
  • Reading and interpreting musical expression markings in sacred repertoire
  • Building confidence with musically mature material at intermediate level

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