Play Hymns, Book 2: 10 Piano Arrangements of Traditional Favorites Sheet Music Preview

Play Hymns, Book 2: 10 Piano Arrangements of Traditional Favorites: Piano

10 Piano Arrangements of Traditional Favorites

Arr. Melody Bober and Robert D. Vandall

Level: Late Elementary

Item: 00-PB-0000891

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$7.99
Description
In Play Hymns, Book 2, pianists young and old will find accessible arrangements of beloved hymns, which are a continuous source of inspiration and an important part of worship services. The attractive solo arrangements in this book include rich-sounding accompaniments that can be played by a teacher, parent, or older sibling. Titles: Blest Be the Tie * Come, Thou Almighty King * Crown Him with Many Crowns * For the Beauty of the Earth * Immortal, Invisible, God Only Wise * Morning Has Broken * My Jesus, I Love Thee * Now Thank We All Our God * Oh, How I Love Jesus * Were You There? A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Play Hymns
Publisher: Alfred Music
Page Count: 24
SKU: 00-PB-0000891

More about this title

About the Arranger: Melody Bober

Melody Bober

Melody Bober brings two decades of public school teaching experience, university instruction, and active church music work to her compositions and arrangements. She earned her bachelor's degree in music education from the University of Illinois at Champaign-Urbana, graduating summa cum laude, and completed a Master of Arts in piano performance from Minnesota State University, Moorhead, studying with accomplished pianists including Joel Shapiro and Andrew Froelich.

Bober's reputation as both an innovative arranger and clinician has made her a sought-after presenter at piano teacher conventions and workshops throughout North America. Her private studio teaching, combined with her work as church pianist and former director of church music, directly informs her approach to creating motivational repertoire that deepens students' musical understanding and engagement.

Why we love this

These arrangements strike the rare balance of sounding sophisticated and substantial while remaining genuinely playable for late elementary pianists. The rich accompaniments work beautifully as duets, turning what could feel like a solo recital piece into genuine musical collaboration between student and teacher, parent, or ensemble member.

What to expect

Warmth and reverence infuse every arrangement. The familiar melodies anchor you while the accompaniments open up harmonic space, creating moments of quiet reflection alongside passages that feel lifting and hopeful. This is music that feels good to play, not just technically satisfying but emotionally grounding.

Who it's for

Late elementary pianists ready to explore beyond beginner-level technical demands who will benefit from repertoire that feels meaningful and mature. These arrangements also work well for adult piano students or returning pianists seeking accessible sacred repertoire with depth.

How to get the most out of it

  • Establish clear communication with your accompaniment partner about tempo before beginning; these hymns benefit from steady, confident pacing that allows the melody to sing.
  • Listen carefully to how the accompaniment supports your melodic line rather than competing with it; shade your dynamics to let both parts be heard distinctly.
  • Practice the melody and accompaniment separately first, then map out the points where they interact most closely so you can anticipate the harmonic movement.
  • Consider the reverential character of these hymns when choosing your touch; a singing, connected legato often serves the material better than a percussive attack.

How to use it

Assemble a recital program around these pieces as part of a sacred music theme, or select individual arrangements to anchor student solo performances in spring services or community worship settings. The duet format makes them ideal for student-teacher collaborative performances at festivals or church events.

Skills your students will build

  • Reading and interpreting hymn melody with appropriate phrasing
  • Coordinating hands while maintaining independence of melodic and accompaniment lines
  • Building dynamic control to balance melody with harmonic support
  • Understanding of chord progressions through accompaniment patterns
  • Listening and ensemble awareness through duet playing

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