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Play Hymns, Book 2: Piano Book

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Play Hymns, Book 2 Cover Image

Play Hymns, Book 2: Piano Book

10 Piano Arrangements of Traditional Favorites

Arr. Melody Bober and Robert D. Vandall

Level: Late Elementary

Item: 00-37118

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Description
In Play Hymns, Book 2, pianists young and old will find accessible arrangements of beloved hymns, which are a continuous source of inspiration and an important part of worship services. The attractive solo arrangements in this book include rich-sounding accompaniments that can be played by a teacher, parent, or older sibling. Titles: Blest Be the Tie * Come, Thou Almighty King * Crown Him with Many Crowns * For the Beauty of the Earth * Immortal, Invisible, God Only Wise * Morning Has Broken * My Jesus, I Love Thee * Now Thank We All Our God * Oh, How I Love Jesus * Were You There? A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Play Hymns, Book 2: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Play Hymns
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-7739-2
ISBN13: 978-0-7390-7739-9
UPC: 038081412344
SKU: 00-37118

More about this title

About the Arranger: Melody Bober

Melody Bober

Melody Bober brings two decades of public school teaching experience and advanced training in both music education and piano performance to her compositions. A summa cum laude graduate of the University of Illinois at Champaign-Urbana and holder of a Master of Arts degree from Minnesota State University, Moorhead, she has studied with distinguished musicians including Joel Shapiro, Andrew Froelich, Mary Hoffman, and Tony Caramia. Her work as a church pianist and former music director informs her understanding of sacred repertoire and congregational music.

Now based in Minnesota, Bober maintains an active private piano studio while serving as a clinician and presenter at conventions and workshops for piano teachers throughout North America. Her compositions consistently prioritize musical engagement and student understanding, reflecting her conviction that thoughtful arranging builds both technical skill and genuine love of music.

Why we love this

Bober and Vandall's arrangements honor these hymns' spiritual weight while making them genuinely playable for late elementary pianists. The rich accompaniments invite duet playing with teachers or family members, turning solo practice into a shared musical experience that deepens both technical control and interpretive awareness. These pieces earn their spot on the 2024-2028 Federation Festivals list because they balance accessibility with authentic, satisfying musical content.

What to expect

These hymns radiate the quiet confidence of well-loved melodies set in fresh harmonic language. The pieces feel reverent without being heavy, celebratory without demanding virtuosity. Playing them creates the sensation of singing a familiar prayer aloud; the music carries forward on its own momentum once the initial learning is complete.

Who it's for

Late elementary pianists seeking meaningful sacred repertoire that rewards careful listening and ensemble collaboration. Teachers and family members can join in as accompanists, making this book a bridge between solo and duet playing. Students preparing for festivals or simply wanting to expand their hymn repertoire will find arrangements that respect both the music's spiritual purpose and their developing technical abilities.

How to get the most out of it

  • Balance the melody clearly above the accompaniment, especially where hymn lines contain longer note values that can blur into busy harmonic textures.
  • Work out the accompaniment part separately first if playing without a duet partner; isolating this layer builds independence between hands.
  • Approach tempo with restraint. Hymns benefit from a sustained, singing quality rather than brisk passage work; allow yourself room for legato phrase shaping.
  • Pay attention to chord changes that fall on weaker beats. These create harmonic movement that shouldn't be underplayed just because they're rhythmically secondary.

How to use it

Feature individual selections at church services, school assemblies, or seasonal concerts where sacred music belongs naturally in the program. These arrangements work equally well as recital openers that establish a contemplative tone, or as closing pieces that send listeners away with something memorable. Pairing two or three hymns from the collection creates a unified segment that showcases repertoire depth at student recitals.

Skills your students will build

  • Reading and sustaining hymn-style melodic lines with longer note values
  • Coordinating melody and accompaniment across both hands with independence and balance
  • Interpreting phrase shapes and expressive timing in sacred music
  • Ensemble collaboration through duet playing with teacher or family accompaniment
  • Sight-reading accuracy in chord-based harmonic structures

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