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Play a Simple Melody: Concert Band Conductor Score & Parts

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Play a Simple Melody Cover Image

Play a Simple Melody: Concert Band Conductor Score & Parts

By Irving Berlin / arr. Tom Johns

Grade: 2

Item: 98-B1153

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Description
Here's a fun-to-play arrangement of one of Irving Berlin's most famous classics. This arrangement is masterfully scored to double all important lines and will sound great no matter how small your group is. From soft shoe to swing, this piece will have all the toes tapping. See if you can recognize the three other familiar melodies toward the end of the piece! (2:00)

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 674398210497
SKU: 98-B1153

More about this title

About the Composer: Irving Berlin

Irving Berlin (1888-1989) wrote some of the most durable melodies in American popular music, composing over 1,000 songs across Broadway, film, and popular standards. His gift for craft showed in his ability to write instantly memorable tunes that worked equally well in concert halls and dance venues, making his catalog ideal for music education across all levels.

Why we love this

Tom Johns's arrangement smartly doubles all important lines so your band sounds full and polished even with modest instrumentation. The piece moves fluidly from soft-shoe style to swing, giving your students rhythmic variety while keeping the technical demands manageable for a Grade 2 ensemble. The built-in surprise of three hidden melodies near the end gives students a satisfying payoff and something engaging to listen for during rehearsal.

What to expect

You'll hear the charm of a classic American standard dressed up in bright, accessible band colors. The piece dances between elegant simplicity and rhythmic swing, with enough orchestration detail to keep rehearsals engaging without demanding heroic technical feats from your musicians.

Who it's for

This is ideal for Grade 2 concert bands with developing ensemble control and solid fundamental skills. It works equally well for ensembles just building confidence as for more experienced groups looking for a polished, crowd-pleasing concert piece.

How to get the most out of it

  • Balance the melody across your available voices so the primary line sings through without overwhelming the supporting harmonies. With doubled parts, clarity matters more than volume.
  • Nail the style transitions from soft shoe into swing. The shift requires a slight rhythmic looseness that contrasts with the straightforward opening.
  • Listen closely for those three familiar melodies woven in at the end. Rehearse them separately so students hear them clearly and can play with confidence rather than confusion.

How to use it

Program this as a confident closer or mid-concert brightener on a pops or holiday concert. Its theatrical roots and straightforward appeal make it a natural fit alongside other American standards or as a bridge between more serious repertoire and crowd-pleasing finales.

Skills your students will build

  • Recognizing and executing soft-shoe and swing articulation styles
  • Maintaining ensemble balance across doubled melodic lines
  • Listening for embedded thematic material within a larger arrangement
  • Managing style contrasts and tempo relationships within a single piece

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