Pikes Peak Rag Cover Image

Pikes Peak Rag: Early Intermediate Piano Sheet

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Pikes Peak Rag Cover Image

Pikes Peak Rag: Early Intermediate Piano Sheet

By Melody Bober

Item: 98-W9297

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Description
Pikes Peak Rag is a spirited and accessible ragtime style piece written in 4/4 time and in the key of C major. This piece consists of easy-to-learn patterns, simple syncopations, and a catchy melody that will sure to become a favorite ragtime solo in your studio.

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 674398222070
SKU: 98-W9297

More about this title

About the Composer: Melody Bober

Melody Bober

Melody Bober brings two decades of public school teaching experience into her compositions, giving her an instinctive understanding of what motivates student pianists. She holds a bachelor's degree in music education from the University of Illinois and a master's degree in piano performance from Minnesota State University, Moorhead, studying under accomplished teachers including Joel Shapiro and Andrew Froelich.

Beyond her private studio, Bober has served as a church pianist, music director, and university instructor, and her work as a clinician and composer has made her a fixture at piano teacher conventions and workshops throughout North America. Her approach to writing stems from a genuine desire to help students connect with music through pieces that challenge without overwhelming.

Why we love this

Bober has written a ragtime piece that respects the genre's rhythmic language without burying it in complexity. Students get real syncopation alongside patterns they can actually execute, which means they'll feel the swing of authentic ragtime rather than simplified approximations.

What to expect

Pikes Peak Rag bounces with the energy of early twentieth-century saloon music, offering that characteristic ragtime lilt where the melody dances just ahead of a steady, driving accompaniment. The piece has charm and personality from its opening measures; it feels like a real song rather than an etude dressed up in period clothing.

Who it's for

This works for piano students ready to explore authentic ragtime idioms without getting lost in convoluted rhythms or hand independence demands. It's a natural fit for students who've built solid fundamentals and are curious about American music styles.

How to get the most out of it

  • Keep the left hand steady and slightly dance in the quarter notes; ragtime loses its personality if the accompaniment sits rigid on the beat.
  • Let the melody breathe where it naturally peaks, especially on syncopated figures that want to sit slightly ahead of the pulse.
  • Practice hands separately until the syncopated rhythm of the right hand is secure, then layer in the left hand groove.
  • Explore the tempo range that lets the piece sing; too fast and the syncopations blur, too slow and it loses its playful character.

How to use it

Program this as a solo recital piece that introduces audiences to ragtime without requiring a full stride piano level of virtuosity. It also works as a bridge piece for students transitioning from classical repertoire into jazz and American music studies.

Skills your students will build

  • Reading and executing syncopated rhythms in both hands simultaneously
  • Maintaining a steady left-hand groove while navigating off-beat right-hand figures
  • Understanding ragtime accompaniment patterns and their historical context
  • Developing independence between hands with contrasting rhythmic profiles
  • Building confidence with the C major scale and its practical applications

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