Piece en Forme de Habanera Cover Image

Piece en Forme de Habanera: 6 Trumpets Score & Parts

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Piece en Forme de Habanera Cover Image

Piece en Forme de Habanera: 6 Trumpets Score & Parts

By Maurice Ravel / arr. David Marlatt

Level: Difficult

Item: 81-TE26141

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Description
This beautiful piece features the piccolo trumpet. The romantic musical line and rubato style make this a terrific change of pace on a concert or recital. The remainder of the ensemble (4 trumpets and a flugel horn) create a lush foundation of sound to support the soloist.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-755-3
ISBN13: 978-1-55472-755-1
UPC: 685462009930
SKU: 81-TE26141
Instrumentation: 6 Trumpets

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) composed music that transformed orchestral color into its own expressive language. His harmonic sophistication, obsessive attention to instrumental texture, and blending of popular forms with classical architecture made him one of the most influential composers of the twentieth century. Ravel's gift for reimagining familiar material—whether folk melodies, dance rhythms, or borrowed forms—remains a masterclass in arranging and orchestration.

Why we love this

Marlatt's arrangement opens the door to Ravel's impressionistic language for brass ensembles without sacrificing the composer's harmonic subtlety or the work's intimate character. The piccolo trumpet soars above a carefully balanced harmonic foundation, allowing directors to program a major twentieth-century masterwork in a configuration that builds technical demands and musical maturity across an entire section. This is the kind of repertoire that reminds audiences and players alike why brass chamber music matters.

What to expect

The habanera's gentle sway becomes something introspective and shimmering in Ravel's hands, like watching light move across still water. The piccolo trumpet's romantic melodic voice floats above a warm, cushioned harmonic environment created by the lower brass, evoking intimacy and sophistication rather than bombast or display.

Who it's for

Advanced high school and college trumpet sections seeking meaningful chamber literature that develops both technical facility and musical maturity. Groups with a confident piccolo trumpet player and an ensemble willing to listen to one another will find this arrangement deeply rewarding and accessible enough to prepare thoroughly within a reasonable rehearsal timeline.

How to get the most out of it

  • Shape the habanera rhythm with gentle flexibility rather than metronomic precision; the written tempo is a departure point, not a destination. Allow the soloist's phrasing to suggest natural rubato, and let the supporting voices respond to that breath.
  • Balance the piccolo trumpet's lyrical line against the harmonic voices by treating the accompaniment parts as genuinely composite—each trumpet and flugel horn contributes a single color thread to a larger tapestry. Avoid letting any inner voice disappear.
  • Explore Ravel's chromatic voice leading during sectional rehearsals. The shift in harmony is often subtle and easily buried if intonation drifts; lock the ensemble on vertical sonorities before focusing on individual line independence.
  • Honor the rubato and romantic character without letting the pulse float away entirely. Use breath and articulation placement to communicate the habanera's gentle forward motion to ensemble mates.

How to use it

Program this as a concert centerpiece or recital highlight that shifts the emotional temperature of an all-brass program. It pairs naturally with more energetic fanfare or virtuosic writing, offering audiences a moment of genuine lyricism and demonstrating that brass instruments belong in conversations about impressionism, color, and restraint.

Skills your students will build

  • Balancing a featured melodic line with harmonic accompaniment voices
  • Playing with rubato and flexibility while maintaining ensemble cohesion
  • Shaping longer lyrical phrases on piccolo trumpet
  • Reading and executing Ravel's chromatic harmonic language with precise intonation
  • Listening critically to inner voices and vertical harmonic alignment

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