Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete) Cover Image

Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete): Full Orchestra, Study Score

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Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete) Cover Image

Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete): Full Orchestra, Study Score

By Modest Mussorgsky, ed./arr. by Maurice Ravel/ R. Mark Rogers

Item: 36-S015901

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Description
Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly performed version of the piece is an orchestration by Maurice Ravel. In fact, Ravel's orchestration drew enough attention to the once-obscure piece to place it in the modern piano repertoire. Ravel based his orchestration on Rimsky-Korsakov's version of Mussorgsky's score published after Mussorgsky's death. Ravel's choices of featured instruments for color are widely admired, including a trumpet representing a peasant in "Samuel Goldenberg and Schmüyle" and a saxophone representing a minstrel in "The Old Castle." Ravel's orchestration of Pictures at an Exhibition premiered in Paris on October 19,1922. This 2025 edition by Mark Rogers of Mussorgsky's Pictures at an Exhibition, as orchestrated by Maurice Ravel, consists of an entirely newly engraved score and parts. Players will appreciate the fact that combined parts from the first edition (for example 1st and 2nd Flutes on the same part) have been separated, entirely eliminating unworkable page turns that have vexed players for nearly a century. The edition is based on the original French score and parts and later sources. Ravel's original rehearsal numbers are retained so that this edition is entirely compatible with old scores which conductors may wish to use, and measure numbers have been added as a tool for additional negotiation around the score. The Bass Clarinet in A has been transposed to B-flat, and supplemental parts for clarinets and trumpets in B-flat, and bassoons and trombones in bass clef have been added. Incorrect notes and inconsistent articulations have been clarified as needed. Instrumentation: 3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set). The original published Ravel edition is also available from Edwin F. Kalmus. Study score.

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Additional Details
Series: Kalmus Study Score Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-895633-55-5
ISBN13: 979-8-895633-55-7
UPC: 659859434773
SKU: 36-S015901
Instrumentation: 3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: Asax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Modest Mussorgsky

Modest Mussorgsky (1839-1881) was a Russian composer of fierce originality who rejected the formality of Western European conservatory training. He believed that music should serve human expression rather than rigid harmonic rules, a conviction that shaped every work he wrote. Pictures at an Exhibition emerged from his grief following the 1873 death of his friend Viktor Hartman, an architect and painter. Mussorgsky had attended an exhibition of Hartman's works and transformed his visual impressions into a piano suite of remarkable imagination and color.

During his lifetime, Mussorgsky's music was considered crude and unpolished by academic circles, yet he possessed an instinct for orchestral sonority and harmonic innovation that composers like Ravel would later recognize as visionary. His legacy rests not on symphonic form or technical perfection, but on his uncompromising commitment to musical authenticity and his influence on twentieth-century composers who valued individual voice over convention.

Why we love this

Ravel's orchestration is a masterclass in instrumental writing, and this newly engraved 2025 edition finally solves a century-old problem: the arbitrary page turns that have forced orchestral musicians into impossible choices between missing entrances and flipping pages mid-phrase. Conductors gain access to Ravel's original rehearsal numbers alongside newly added measure numbers, making preparation and communication with ensemble members more efficient without sacrificing historical authenticity.

What to expect

The music moves through vivid tableaux with the logic of a dream. Mussorgsky's harmonic language, raw and Russian in flavor, meets Ravel's brilliant orchestral palette: a piano promenade unspools into glittering woodwind conversations, folk melodies bloom in unexpected instrumental combinations, and the famous 'Great Gate of Kiev' rises with monumental weight. The overall effect is both intimate and grand, like walking through a gallery where each painting pulls you inward before releasing you back into the connecting hallway.

Who it's for

This study score serves conductors preparing Pictures at an Exhibition for performance with advanced amateur or professional orchestras, as well as conducting students analyzing Ravel's orchestration technique. Music directors seeking a modern, performable edition that eliminates the practical frustrations of older printings will find this a significant upgrade.

How to get the most out of it

  • Study the instrumentation carefully before rehearsal; Ravel's color choices are deliberate and central to understanding each movement. The trumpet in 'Samuel Goldenberg and Schmüyle' and the saxophone in 'The Old Castle' are not atmospheric choices but characterization.
  • Balance the six percussionists through clear cueing and written dynamics; the scoring calls for continuous textural shifts that can obscure ensemble rhythm if parts are played at concert pitch without attention to ensemble proportion.
  • Use the measure numbers strategically in early rehearsals to anchor players who may reference older scores or recordings; this edition's compatibility with historical versions is a feature worth leveraging.
  • Attend to the original rehearsal numbers as historical markers of Ravel's formal architecture; they reveal how he structured the orchestration and can guide your interpretation of pacing and phrase architecture.

How to use it

Program Pictures at an Exhibition on a concert celebrating twentieth-century orchestration or Russian musical heritage, where audiences can engage with the piece's cultural and historical significance. Its length and technical demands make it an ideal centerpiece for a concert rather than an opening or closing work. This edition's clarity and reliability suit it well to festival performances and competitions where multiple rehearsals with a new score would be impractical.

Skills your students will build

  • Reading and executing orchestral color from complex instrumentation (woodwind doublings, harp, saxophone, modern percussion)
  • Balancing solo instrumental lines against full ensemble texture
  • Following conductor cues across changes in tempo, meter, and harmonic language within continuous movements
  • Identifying and executing stylistic contrasts between folk melody, programmatic writing, and modernist harmony
  • Sight-reading in a score with both original rehearsal numbers and newly added measure numbers for maximum navigation flexibility

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