Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete) Cover Image

Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete): Full Orchestra, Score and Parts

$220.00 USD
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Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete) Cover Image

Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete): Full Orchestra, Score and Parts

By Modest Mussorgsky, orch. Maurice Ravel/ ed. R. Mark Rogers

Item: 36-A941890

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Description
Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly performed version of the piece is an orchestration by Maurice Ravel. In fact, Ravel's orchestration drew enough attention to the once-obscure piece to place it in the modern piano repertoire. Ravel based his orchestration on Rimsky-Korsakov's version of Mussorgsky's score published after Mussorgsky's death. Ravel's choices of featured instruments for color are widely admired, including a trumpet representing a peasant in "Samuel Goldenberg and Schmüyle" and a saxophone representing a minstrel in "The Old Castle." Ravel's orchestration of Pictures at an Exhibition premiered in Paris on October 19,1922. This newly engraved 2025 edition has been revised and edited by R. Mark Rogers. Instrumentation: 3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set). The original published Ravel edition is also available from Edwin F. Kalmus.

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Additional Details
Series: Kalmus Masterworks Library
Publisher: Keiser Productions, Inc.
UPC: 659859380414
SKU: 36-A941890
Instrumentation: 3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: Asax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Modest Mussorgsky

Modest Mussorgsky (1839-1881) was a Russian composer who rejected formal training in favor of self-directed study, a path that shaped his distinctive harmonic language and orchestral voice. His music often drew inspiration from Russian folk traditions and nationalist themes, and he worked across opera, song, and orchestral forms, though financial instability and alcoholism limited his output during his lifetime.

Pictures at an Exhibition, composed in 1874 as a memorial to his friend Viktor Hartman following the painter's death, remained largely unknown outside Russia until Maurice Ravel's 1922 orchestration brought it international recognition. The piece exemplifies Mussorgsky's gift for vivid musical imagery and his ability to translate visual experience into sound; it has since become a cornerstone of the orchestral repertoire and a window into late 19th-century Russian musical thought.

Why we love this

Ravel's orchestration is a masterclass in instrumental color and balance, yet the 2025 Rogers edition ensures modern conductors and musicians work from a freshly engraved score that respects both Ravel's vision and contemporary performance standards. The writing offers abundant solo and section opportunities while remaining symphonically coherent, making it ideal for orchestras seeking a work that challenges without overwhelming.

What to expect

The orchestration pulses with vivid character and invention. Ravel colors each movement distinctly through careful instrumental selection, so the listener moves through a gallery of moods: contemplative and folk-like in some moments, grotesque and satirical in others, majestic in the final Baba Yaga and Great Gate sequences. The score feels immediate and theatrical despite its formal sophistication.

Who it's for

This is a centerpiece work for orchestras with solid fundamentals and the orchestral depth to handle five string parts. It serves conductors looking to program a substantial standalone work that draws audiences and offers musicians exposure to masterful orchestration and Russian musical language.

How to get the most out of it

  • Balance the constantly shifting solo lines by establishing clear principal players for each movement and rehearsing transitions between instrumental families with precision; the piece demands that soloists listen across the orchestra rather than within their own section.
  • Address the harp parts early; both harps function as integral harmonic and textural voices, not padding, so secure their tuning and rhythm before the full ensemble begins.
  • Shape the Promenade theme across its appearances by adjusting tempo and weight slightly each time it returns, allowing the listener to hear how the tour evolves and how each exhibition visit shifts the music's character.
  • Attend carefully to the percussion requirements across six players; this isn't excessive doubling but a deliberate palette of timbres that Ravel uses to define individual movements and highlight orchestral moments.

How to use it

Program this as a concert centerpiece or season finale; it commands attention as a standalone work and requires no coupling. Alternatively, use it to anchor a Russian music focus or to showcase your orchestra's orchestral maturity to soloists and newer ensemble members, as the writing distributes dialogue and responsibility across the ensemble generously.

Skills your students will build

  • Listening to and balancing transparent orchestral textures with multiple independent lines
  • Responding to frequent and rapid solo passages while maintaining ensemble cohesion
  • Reading and executing Ravel's precise articulation and dynamic markings
  • Understanding harmonic color through orchestral timbre and register placement
  • Sustaining ensemble focus across a 34-minute single work without section breaks

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