Piano Works Vol.3 Cover Image

Piano Works Vol.3: Piano (Solo)

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Piano Works Vol.3 Cover Image

Piano Works Vol.3: Piano (Solo)

By Franz Liszt / ed. Emil von Sauer

Item: 98-EP3600C

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Description
12 Transcendental Études makes up the third volume of Liszt's Piano Works. Edited by Emil von Sauer, this edition contains a set of 12 compositons for solo piano, which are an elaboration of a set of studies written in 1826.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 116
ISBN10: 0-30-075545-7
ISBN13: 979-0-30-075545-8
SKU: 98-EP3600C

More about this title

About the Composer: Franz Liszt

Franz Liszt (1811-1886) was a Hungarian virtuoso pianist and composer whose technical innovations fundamentally expanded what the piano could express. His transcendental études represent the apex of 19th-century keyboard writing; they demand not just technical mastery but deep musical intelligence and interpretive maturity from performers.

Liszt's approach to the étude form transformed it from a purely technical exercise into profound musical art. These works reflect his belief that the greatest technical challenges should serve compelling musical ideas, making them essential repertoire for pianists seeking to understand the instrument's full range of possibility.

Why we love this

This edition presents Liszt's most demanding and rewarding solo works in the reliable Peters format, edited by Emil von Sauer, a pianist who understood these pieces intimately. Advanced pianists need access to authentic concert-level material that combines virtuosic display with genuine compositional substance; this volume delivers both. The 116 pages of études offer enough range to support serious study across an entire season.

What to expect

Liszt's transcendental études swing between moments of crystalline brilliance and dark, searching introspection. The writing demands absolute control of the keyboard while simultaneously asking for improvisatory freedom and emotional depth; performers navigate passages of dizzying virtuosity alongside intimate, almost chamber-like passages that require a completely different kind of attention.

Who it's for

Advanced pianists preparing for competitions, conservatory juries, or solo recitals will find essential material here. Teachers seeking to develop students' technique beyond the intermediate level through musically substantial works should consider this collection.

How to get the most out of it

  • Separate technical preparation from interpretive work. These études require weeks of slow, methodical practice to establish security before you address phrasing and color.
  • Study Liszt's original compositional intent alongside the Sauer edition. Understanding what revisions were made helps you make informed choices about voicing and articulation.
  • Record yourself frequently. The sheer complexity can mask unevenness in tone production or phrase shape that's immediately audible on playback.
  • Build stamina deliberately. These pieces demand sustained physical control and mental focus; treat them like an athlete training for competition.

How to use it

Feature one or two études on a recital to showcase both technical achievement and musical maturity. They work well alongside Classical sonatas or contemporary works; the contrast clarifies what makes Liszt's approach so distinctive. Alternatively, assign individual études throughout the year as students progress, using them as benchmarks for advancing technique and interpretive sophistication.

Skills your students will build

  • Large-interval passage work and hand position shifts across the keyboard
  • Pedal control for coloring within complex harmonic progressions
  • Maintaining evenness and clarity in rapid figuration at multiple dynamic levels
  • Interpreting 19th-century virtuosic writing with structural awareness rather than surface flash
  • Endurance and focus for extended technical challenges
  • Reading complex textures with multiple simultaneous voices

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