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Piano Works Vol.2: Piano (Solo)

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Piano Works Vol.2 Cover Image

Piano Works Vol.2: Piano (Solo)

By Edvard Grieg

Item: 98-EP3100B

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Description
This edition presents a collection of solo piano original works for piano by Edvard Grieg.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 224
ISBN10: 0-01-401396-7
ISBN13: 979-0-0140-1396-7
SKU: 98-EP3100B

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) shaped Romantic piano writing by anchoring it in Norwegian folk idioms and harmonic innovation. His piano works balance lyrical melody with sophisticated harmonic language, establishing him as a bridge between Romantic virtuosity and nationalistic expression. Grieg's influence on pedagogy runs deep: his pieces teach students how folk materials can sustain serious musical argument without sacrificing accessibility.

As a composer, Grieg refused the sprawling symphonic forms favored by his contemporaries, instead perfecting the miniature and the character piece. This aesthetic choice made his piano works essential repertoire for developing musicians who need models of formal clarity, harmonic color, and emotional directness. Teachers value Grieg because his writing respects both the student's growing technical capabilities and artistic sensibilities.

Why we love this

Grieg's second volume collects works that sit at the intersection of concert dignity and genuine teachability. Students encounter real harmonic adventure here, modal inflections, unexpected modulations, pedal colors, without needing virtuosic finger work as a prerequisite for musicality.

What to expect

Intimate yet sophisticated. These works invite you into a world where simplicity of melody coexists with chromatic wandering and unexpected harmonic turns. There's a Nordic quality to the sound, spare in gesture, rich in suggestion, often touched by melancholy or folk remembrance.

Who it's for

Intermediate to advanced pianists ready to engage with 19th-century Romantic language and harmonic subtlety. Teachers building a balanced solo repertoire that develops musicianship beyond technical display.

How to get the most out of it

  • Attend to Grieg's pedal markings with precision; they're structural, not decorative. The sustain pedal often carries harmonic weight that defines the piece's tonal world.
  • Shape phrases around the vocal quality Grieg expects from the right hand. These are songs without words, and phrasing should honor breath.
  • Explore the balance between clarity and color. Grieg's textures can blur beautifully, but the underlying voice leading must remain audible.
  • Ground your tempo choices in the character indication and harmonic rhythm. Rushing flattens the Romantic breadth these pieces demand.

How to use it

Weave these pieces into recitals where you want to shift emotional register and show depth of period style. A Grieg character piece makes an intelligent encore, or anchor a program section around a single work paired with contrasting composers. In student competitions, selections from this volume demonstrate musicianship and interpretive maturity without demanding flashy technique.

Skills your students will build

  • Reading and executing varied pedal markings as compositional intent
  • Balancing sustained harmonic color with voice-leading clarity
  • Shaping lyrical lines with Romantic phrasing and breath
  • Navigating chromatic harmony and unexpected modulations
  • Understanding character and mood as structural organizing principles

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