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Piano Progress Studies, Book 1: Piano Book

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Piano Progress Studies, Book 1 Cover Image

Piano Progress Studies, Book 1: Piano Book

By Fanny Waterman and Marion Harewood

Item: 12-0571509614

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Description
An excellent selection of graded studies from prominent composers such as Czerny, Bartok, and Kodaly which have been lovingly collected and edited by Fanny Waterman. This series of books represents a distillation of the thoroughness, inspiration and sense of adventure that characterize Waterman's own teaching methods. The excellence of the musical material and the attractive presentation have won universal acclaim.

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Additional Details
Series: Faber Edition: The Waterman / Harewood Piano Series
Publisher: Faber Music
ISBN10: 0-571-50961-4
ISBN13: 978-0-571-50961-4
UPC: 9780571509614
SKU: 12-0571509614

More about this title

About the Author: Fanny Waterman

Fanny Waterman is a legendary British pianist and pedagogue whose influence on piano education spans decades. Her teaching philosophy emphasizes musicality alongside technical development, grounding students in the works of master composers rather than relying solely on exercises divorced from real music.

Why we love this

Waterman's curation brings genuine artistic weight to early-level study material. By assembling works from Czerny, Bartók, and Kodály, she situates technique within music that matters, giving students repertoire they'll actually want to play rather than exercises that feel like obstacles to real music.

What to expect

These studies balance structure with personality. You move through focused technical challenges that feel purposeful rather than arbitrary, all while encountering the compositional voice of respected musicians. Progress feels earned and genuinely musical.

Who it's for

Early-intermediate pianists ready to move beyond method books but needing graded technical development. Teachers seeking study material that doesn't sacrifice musicality for pedagogy will find this series indispensable.

How to get the most out of it

  • Attend to the character markings Waterman includes; these studies are not mechanical drills but musical statements that reward expressive interpretation.
  • Use pieces from this book as anchors for exploring different compositional voices; students hearing Bartók alongside Czerny develop comparative listening skills naturally.
  • Space out study assignment across the week so students can absorb new technical demands without overwhelming their practice schedule.

How to use it

Assign studies sequentially as core repertoire for students working toward recitals or exams; the progression builds confidence across fundamentals without boring advanced listeners at student performances.

Skills your students will build

  • Hand independence and coordination through varied accompaniment patterns
  • Finger dexterity and articulation control across multiple registers
  • Sight-reading fluency in different meters and key signatures
  • Musical interpretation and phrasing using authentic compositional models
  • Rhythmic accuracy and counting in changing time signatures

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