Piano Playtime, Book Two Cover Image

Piano Playtime, Book Two: Piano Book

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Piano Playtime, Book Two Cover Image

Piano Playtime, Book Two: Piano Book

By Fanny Waterman and Marion Harewood

Item: 12-057150552X

$10.99
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Description
Attractive short pieces for the beginner, with illustrations. A useful supplement to Me and My Piano and the earlier stages of Piano Lessons Book 1. The Studies book contains easy melodic studies in the form of short pieces, each concentrating on specific technical points including legato and staccato playing, equality of fingers, singing tone and dynamics.

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Additional Details
Series: Faber Edition: The Waterman / Harewood Piano Series
Publisher: Faber Music
ISBN10: 0-571-50552-X
ISBN13: 978-0-571-50552-4
UPC: 9780571505524
SKU: 12-057150552X

More about this title

About the Author: Fanny Waterman

Fanny Waterman was a British pianist and pedagogue whose teaching methods shaped generations of young pianists across the UK and beyond. Her approach emphasized musical understanding and technical clarity from the earliest stages, believing that even beginners deserved engaging, thoughtfully composed material rather than purely mechanical exercises.

Why we love this

Book Two delivers exactly what a teacher needs at this stage: short, attractive pieces that tackle specific technical foundations without overwhelming a young player. The inclusion of illustrations keeps the material inviting, while the progression of skills within each piece ensures students understand why they're practicing each technique.

What to expect

Short, purposeful, and musically rewarding. Each piece has genuine character and melodic interest, making technical work feel like playing music rather than completing assignments. The inclusion of illustrations creates a warm, approachable learning environment.

Who it's for

Beginning pianists working through early repertoire books or supplementing their primary method with focused technical studies. Teachers will value Book Two as a bridge between foundational exercises and more expansive pieces, offering variety without complexity.

How to get the most out of it

  • Focus on the technical point the piece targets rather than rushing through. If the piece emphasizes legato, listen carefully to your own connection between notes and adjust pedal use accordingly.
  • Work with the illustrated content as a guide. The visual reinforcement helps young pianists grasp the physical gesture needed for each technique.
  • Play through the entire piece slowly before addressing tempo. This builds confidence and helps you internalize the musical phrase, not just the mechanics.
  • Record yourself periodically. Hearing your own progress with legato evenness, staccato clarity, or dynamic control builds awareness that written feedback alone cannot provide.

How to use it

Assign pieces from Book Two alongside your student's primary method or lesson book to target specific technical challenges. Use individual pieces as short recital options for nervous beginners, or group several pieces together for a coherent young student showcase that demonstrates specific skill mastery.

Skills your students will build

  • Legato playing with smooth phrasing
  • Staccato articulation with clean separation
  • Finger independence and equality
  • Singing tone production across the keyboard
  • Dynamic control and expression

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