Piano Playtime, Book One Cover Image

Piano Playtime, Book One: Piano Book

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Piano Playtime, Book One Cover Image

Piano Playtime, Book One: Piano Book

By Fanny Waterman and Marion Harewood

Item: 12-0571505457

$10.99
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Description
Attractive short pieces for the beginner, with illustrations. A useful supplement to Me and My Piano and the earlier stages of Piano Lessons Book 1. The Studies book contains easy melodic studies in the form of short pieces, each concentrating on specific technical points including legato and staccato playing, equality of fingers, singing tone and dynamics.

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Additional Details
Series: Faber Edition: The Waterman / Harewood Piano Series
Publisher: Faber Music
ISBN10: 0-571-50545-7
ISBN13: 978-0-571-50545-6
UPC: 9780571505456
SKU: 12-0571505457

More about this title

About the Author: Fanny Waterman

Fanny Waterman was a British pianist and pedagogue whose approach to piano instruction emphasized musical understanding alongside technical development. Her teaching philosophy prioritized student engagement and the connection between notation and sound from the earliest lessons.

Why we love this

These pieces strike a rare balance between genuine musicality and focused technical work. Rather than isolating technique into dry exercises, Waterman embeds specific skills into short, attractive compositions that students actually want to play, making the work feel purposeful rather than obligatory.

What to expect

These pieces have a gentle, approachable character. The illustrations add visual interest, and the short length keeps young students from feeling overwhelmed, while the musical content remains genuine and rewarding to perform.

Who it's for

Early-stage piano students who are ready to move beyond foundational exercises but still need clear technical scaffolding. Teachers looking for supplementary material that reinforces concepts from method books without feeling like additional work.

How to get the most out of it

  • Explore the dynamic contrasts within each piece before worrying about tempo. Students often rush when they should be listening to their own sound.
  • Assign pieces strategically based on the technical point being emphasized. If a student is working on legato, select the appropriate study and resist the urge to add studies from other sources simultaneously.
  • Have students identify and mark the technical focus of each piece at the start. This metacognitive step helps them understand why the piece matters and where to direct their practice attention.

How to use it

Integrate these into weekly lessons as targeted technical reinforcement rather than standalone repertoire. A student might work through one piece per week alongside their method book, using it to deepen understanding of a specific concept before moving forward.

Skills your students will build

  • Legato and staccato articulation
  • Finger independence and equality
  • Singing tone production
  • Dynamic shaping and control
  • Musical phrasing at the beginner level

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