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Piano Lessons, Book Three: Piano Book

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Piano Lessons, Book Three: Piano Book

By Fanny Waterman and Marion Harewood

Level: Elementary

Item: 12-057150311X

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Description
The Waterman/Harewood Piano Series has been devised jointly by the world famous piano teacher Fanny Waterman and the cofounder of the Leeds International Piano Competition, Marion Harewood, and is established as one of the foremost piano methods.

This is the third of the central course-books of this highly successful piano methods and is aimed at the older beginner. Technical material is skilfully and imaginatively presented, while each chapter guides the young player towards the successful performance of a comprehensive selection of pieces and studies.

Piano Lessons Book 3 intoduces more advanced pieces and a wider range of repertoire from C. P. E. Bach and W. F. Bach, Farnaby and Couperin, to Kabelevsky and Britten. The book also contains an extensive appendices of scales, arpeggios and exercises.

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Additional Details
Series: Faber Edition: The Waterman / Harewood Piano Series
Publisher: Faber Music
ISBN10: 0-571-50311-X
ISBN13: 978-0-571-50311-7
UPC: 9780571503117
SKU: 12-057150311X

More about this title

About the Author: Fanny Waterman

Fanny Waterman is a legendary British piano pedagogue whose influence on keyboard instruction spans decades. She co-founded the Leeds International Piano Competition and has shaped the musical training of countless students through her meticulous, thoughtful approach to piano methodology.

Waterman's teaching philosophy centers on balancing technical rigor with musical imagination. Her methods are built on the conviction that young pianists develop best when they encounter genuinely rewarding repertoire alongside carefully scaffolded technical work, never treating the two as separate concerns.

Why we love this

This book refuses to treat older beginners like younger ones. The repertoire spans from Bach to Britten with genuine musical substance at every level, and the technical material emerges from the music itself rather than existing in isolation. Teachers appreciate how naturally the progression builds confidence without sacrificing artistic content.

What to expect

The journey through Book Three balances discovery with structure. Students encounter composers across centuries and styles, each piece chosen to build specific skills while remaining genuinely enjoyable to play. The scope feels expansive without becoming overwhelming.

Who it's for

Older beginning pianists (typically high school age and beyond) benefit most from this series, as does any student ready to encounter substantive repertoire alongside their technical development. Teachers seeking a method that respects students' maturity and musical intelligence will find this book indispensable.

How to get the most out of it

  • Explore the stylistic range within each chapter before selecting repertoire for performance. Students retain more when they understand how a Baroque piece sits alongside a contemporary work.
  • Return to the appendix material regularly throughout the year rather than completing it sequentially. Scales and arpeggios gain meaning when students apply them immediately to pieces in progress.
  • Assign studies as musical performance goals, not merely technical exercises. The distinction matters for student engagement and ownership of their progress.

How to use it

This book serves as the primary reference for private piano instruction or supplementary study. Use it across an entire year, moving through chapters at a pace that allows students to master both the technical and musical content before advancing. Pieces from here make natural recital selections when students reach them.

Skills your students will build

  • Interpreting stylistic conventions across Baroque, Classical, and contemporary repertoire
  • Managing increased hand span and finger independence
  • Reading and executing more complex rhythmic patterns
  • Building scale and arpeggio fluency through systematic appendix work
  • Understanding harmonic progression and phrase structure at deeper levels
  • Sustaining focus on longer-form pieces and multi-movement works

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