Phantasie Variations, Op. 12 Cover Image

Phantasie Variations, Op. 12: Advanced Piano Book

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Phantasie Variations, Op. 12 Cover Image

Phantasie Variations, Op. 12: Advanced Piano Book

By Dianne Goolkasian Rahbee / ed. Phyllis Lehrer, Helen Marlais

Item: 98-J1012

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Description
The Phantasie Variations, Op. 12 were commissioned by Phyllis Alpert Lehrer for her Merkin Hall Debut Concert near Lincoln Center in 1980. The piece uses two 12-tone rows, opening with the first row in retrograde, as if regressing back into a subconscious dream state. The rows go through many transformations stylistically in a variety of expressive modes. At the end, the row reappears in its natural state, reverting back to conscious reality.

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Additional Details
Series: The FJH Contemporary Keyboard Editions
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-485-7
ISBN13: 978-1-56-939485-4
UPC: 674398218486
SKU: 98-J1012

More about this title

About the Composer: Dianne Goolkasian Rahbee

Dianne Goolkasian Rahbee is a composer whose work bridges serialist techniques with lyrical expression. Her compositions, particularly for keyboard, demonstrate a sophisticated command of 12-tone methodology and its expressive possibilities beyond pure abstraction.

Rahbee's commissions and concert premieres, including works for major venues like Merkin Hall, reflect her standing in the contemporary classical world. Her writing for piano reveals deep knowledge of the instrument's technical and tonal resources.

Why we love this

The architectural brilliance of this piece lies in how Rahbee uses 12-tone rows not as constraint but as narrative device. The opening retrograde sets up a psychological journey outward from dream into waking reality, making the serial technique emotionally intelligible to performers and listeners alike. For advanced pianists seeking contemporary repertoire with genuine structural sophistication and performance appeal, this is exemplary.

What to expect

The piece unfolds as a psychological landscape, beginning in haze and dislocation before gradually sharpening into focus. Stylistic transformations move through varied expressive terrain, each variation offering a different emotional or timbral angle on the same underlying material. The journey culminates in a moment of recognition, as if waking from a dream into daylight.

Who it's for

This work is for advanced pianists with facility in contemporary idioms and comfort navigating 12-tone organization. It serves pianists preparing recital programs that showcase both technical command and conceptual sophistication, or those seeking substantial contemporary works for degree recitals and competition programs.

How to get the most out of it

  • Pay close attention to the expressive character shifts between variations. Each stylistic transformation of the row material requires a distinct tonal palette and interpretive approach; mark your score with adjectives that guide your touch at each section.
  • The retrograde opening demands a suspended, introspective quality. Resist rushing; allow the reversed pitch sequence to feel genuinely subconscious and weightless before the material begins its gradual crystallization.
  • Study the two 12-tone rows separately before integrating them. Understanding their intervallic relationships and how they transform will clarify your interpretive choices throughout the work.
  • Consider the final return to the natural row state as a moment of clarity and resolution. The reversion to conscious reality should feel earned and distinct from the variations that precede it.

How to use it

Program this as a centerpiece of a contemporary recital, particularly one exploring the relationship between structure and emotion in 20th-century serialist writing. Pair it with other single-movement contemporary works to create a program that values architectural cohesion and expressive depth over narrative or dramatic arc.

Skills your students will build

  • Reading and interpreting 12-tone serial organization
  • Navigating rapid stylistic shifts and varied expressive modes within a single work
  • Pedaling techniques for timbral contrast in contemporary idioms
  • Balancing technical precision with emotional communication in atonal contexts

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