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Petite Symphony: Conductor Score

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Petite Symphony: Conductor Score

By Charles Gounod

Item: 36-A151401

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Description
This charming work in four movements was requested of Charles Gounod by a Parisian wind ensemble called Societe de Musique Pout Instruments a Vent, led by famed flautist Paul Taffanel. Written for flute, two oboes, two clarinets, two horns, and two bassoons, the work premiered in Paris on April 30th, 1885.

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Additional Details
Series: Kalmus Wind Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106984-7
ISBN13: 978-1-58-106984-6
UPC: 753625203430
SKU: 36-A151401
Instrumentation: 1.2.2.2: 2.0.0.0

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818–1893) was a French composer whose gift for melody and harmonic refinement shaped European musical taste across the nineteenth century. Though best known for his operas, particularly Faust, Gounod composed extensively across genres, including sacred music, symphonies, and chamber works that reveal his command of orchestration and formal structure.

Why we love this

This work arrives with genuine historical credentials: it was written for a specific ensemble led by a celebrated flautist, premiered in Paris, and remains a window into nineteenth-century French wind writing. The four-movement architecture gives conductors room to shape contrasting characters, from lyrical passages to sprightly finales, without the complexity of full symphony.

What to expect

Gounod's scoring feels conversational and refined, with the characteristic French elegance of the era. The four movements unfold with an unhurried grace, moving between moments of tender lyricism and brisk, orchestral energy, all held together by the composer's sure sense of harmonic color.

Who it's for

Wind band and wind ensemble directors seeking a substantial work with historical pedigree and musical substance. Conductors preparing intermediate to advanced high school or collegiate ensembles will find this score rewarding both for its performance appeal and its place in the wind repertoire canon.

How to get the most out of it

  • Balance the oboes and clarinets carefully in their exposed passages; they carry much of the melodic weight across movements, and clarity matters more than blend in this intimate scoring.
  • Use the horns to anchor harmonic transitions rather than fill texture; their strategic entrances will feel more purposeful when they're deployed sparingly.
  • Shape each movement's phrasing through the flute line, which acts as the work's voice. Keep the conductor's gesture singing and vocal rather than mechanical.

How to use it

Program this as a concert centerpiece for a wind ensemble performance, especially in a season celebrating nineteenth-century French music. It pairs well with contemporary wind works or other classical symphonic pieces, and serves as an excellent introduction to Gounod beyond his operatic fame.

Skills your students will build

  • Reading historically informed French wind orchestration
  • Balancing exposed wind soloists within ensemble texture
  • Conducting four-movement works with contrasting characters
  • Interpreting Romantic-era phrasing and rubato in a wind context

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