Petite Piece Concertante (Little Concert Piece) (Solo Cornet and Concert Band) Sheet Music Preview

Petite Piece Concertante (Little Concert Piece) (Solo Cornet and Concert Band): Concert Band Conductor Score & Parts

Solo Cornet and Concert Band

By Guillaume Balay / arr. David Marlatt

Grade: 3

Item: 81-PK-0000014

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Description
This is a standard piece in solo trumpet repertoire that is used on countless festivals and competitions. The beautiful opening weaves its way through several key centers leading to the March where fast fingers and light articulations come into play. A great piece to show the capabilities of the cornet (or trumpet).

The original was scored for cornet and piano and this arrangement for band allows for a wider range of timbres in the accompaniment.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 218
SKU: 81-PK-0000014

More about this title

About the Composer: Guillaume Balay

Guillaume Balay (1865-1943) was a French cornet virtuoso and composer whose technical brilliance shaped the instrument's solo repertoire in the late 19th and early 20th centuries. His works for cornet remain standards in contest and festival circuits, valued for their balance of lyrical writing and virtuosic display.

Why we love this

This arrangement delivers a proven contest favorite to your band without sacrificing the original's character. David Marlatt's orchestration gives your ensemble a rich accompaniment palette while keeping the focus squarely on your soloist, making it an efficient way to feature a capable player while building the whole band's ensemble skills.

What to expect

The piece opens with graceful lyricism as the melody wanders through neighboring keys, inviting both soloist and listener into an intimate conversation. The March section shifts the mood entirely, becoming bright and animated with the kind of spirited energy that rewards clean articulation and rhythmic precision.

Who it's for

Solo cornet or trumpet players competing at festival or performing in concert settings, supported by a Grade 3 concert band. The piece suits advancing musicians who have solid technique and are ready to demonstrate musicality in addition to facility.

How to get the most out of it

  • Shape the opening melodically across the key center shifts; the beauty lies in phrasing the lyrical line as one arc rather than discrete sections.
  • Balance the band's accompaniment so the soloist projects without overblowing; the arrangement's fuller textures require restraint from the ensemble.
  • Articulate the March section cleanly and lightly; rapid tonguing should feel effortless and transparent, not forced.

How to use it

Program this as a feature performance in a concert showcase, or prepare it for a solo competition where you want to demonstrate your player's range. The Grade 3 accompaniment makes it accessible for most concert bands while the solo writing remains impressive enough to earn recognition at competitive festivals.

Skills your students will build

  • Maintaining melodic line through chromatic and enharmonic key shifts
  • Articulation control and clarity at fast tempos
  • Balance and projection as a soloist within a full ensemble context
  • Stylistic contrast between lyrical and march-like sections

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