Petite Piece Concertante (Little Concert Piece) Cover Image

Petite Piece Concertante (Little Concert Piece): Concert Band Conductor Score

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Petite Piece Concertante (Little Concert Piece) Cover Image

Petite Piece Concertante (Little Concert Piece): Concert Band Conductor Score

Solo Cornet and Concert Band

By Guillaume Balay / arr. David Marlatt

Grade: 3

Item: 81-CB28126S

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Description
This is a standard piece in solo trumpet repertoire that is used on countless festivals and competitions. The beautiful opening weaves its way through several key centers leading to the March where fast fingers and light articulations come into play. A great piece to show the capabilities of the cornet (or trumpet).

The original was scored for cornet and piano and this arrangement for band allows for a wider range of timbres in the accompaniment.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-264-6
ISBN13: 978-1-55473-264-7
UPC: 685462012657
SKU: 81-CB28126S

More about this title

About the Composer: Guillaume Balay

Guillaume Balay (1866-1904) was a French cornet virtuoso and composer who shaped the brass band repertoire of his era. His compositions for cornet remain core audition and competition pieces, prized for their combination of lyrical beauty and technical demands that showcase the instrument's full range.

Why we love this

David Marlatt's band arrangement opens up Balay's masterwork to ensemble contexts without sacrificing the solo trumpet's spotlight. The piece gives a strong soloist room to breathe while surrounding them with orchestral color, making it equally effective in festival adjudication or concert programming.

What to expect

The piece opens with intimate lyricism, its gentle melody drifting through related key centers before the energy shifts into a spirited March. The contrast between reflective elegance and rhythmic vitality gives the soloist room for musical storytelling while the band supplies warm, varied accompaniment.

Who it's for

Concert bands at Grade 3 level looking for a showcase piece that balances solo performance with ensemble responsibility. It suits advanced middle school bands and community ensembles seeking a competition or festival standard with genuine musical substance.

How to get the most out of it

  • Balance the accompaniment to support rather than obscure the trumpet line, especially in the lyrical opening where the soloist carries the melodic weight.
  • Approach the March section with rhythmic precision and light articulation throughout the ensemble; clarity matters more than heaviness.
  • Work the trumpet soloist separately on phrasing and dynamic shape, then integrate with full band to ensure the solo voice remains prominent across all registers.

How to use it

Place this as a featured solo with band on a concert program to highlight your strongest trumpet player and demonstrate your ensemble's ability to support a soloist at a high level. It also stands as a natural choice for adjudicated festivals where both solo and ensemble musicianship matter.

Skills your students will build

  • Solo trumpet phrasing and dynamic control over longer lyrical phrases
  • Ensemble balance and accompaniment texture in support of a featured voice
  • Rhythmic precision and light articulation in the March section
  • Key center navigation through the opening's modulation

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