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Peter Gunn: Marching Band Conductor Score & Parts

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Peter Gunn Cover Image

Peter Gunn: Marching Band Conductor Score & Parts

Arr. Tod Edmondson

Grade: 2.5 (Medium Easy)

Item: 00-MB9857

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Description
One of the all-time Henry Mancini favorites is presented in a hot '90s version by arranger Tod Edmondson. This tune is always popular with band students, and Tod provides a fresh new approach to this classic tune, including a written out ending in tempo (no cues required) that is guaranteed not to 'crash and burn.' Perfect for the stands and a real winner for pep band as well, this is solid writing from Tod Edmondson!

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Additional Details
Series: Pops for Marching Band
Publisher: Alfred Music
Page Count: 106
UPC: 029156915471
SKU: 00-MB9857

More about this title

About the Arranger: Tod Edmondson

Tod Edmondson has built a reputation for arrangements that respect the integrity of a tune while giving it contemporary energy. His work in the pops and commercial music space shows a keen understanding of what engages student musicians and audiences alike.

Why we love this

Tod's arrangement captures what makes Peter Gunn eternally compelling: that angular melody and syncopated groove that hooks students instantly. His '90s orchestration feels contemporary without losing the tune's spy-thriller DNA, and the attention to a clean, tempo-marked ending means your marching band will land it every time instead of scrambling through a murky final cadence.

What to expect

Sleek and propulsive, with that unmistakable Mancini sophistication translated into a marching context. The arrangement keeps the cool, noir-ish character of the original while injecting contemporary energy that feels current rather than dated.

Who it's for

Marching bands at the Grade 2.5 level who want recognizable, engaging repertoire that's neither elementary nor overly complex. This works equally well for full competitive marching bands and smaller pep band configurations, making it a smart choice when you need something that appeals to students and audiences alike.

How to get the most out of it

  • Balance the melodic line so it cuts through the rhythmic underpinning; the horn section will naturally want to play full voice, but the saxophone and upper woodwind voices carrying the main theme need room to breathe.
  • Lock the quarter-note pulse in the low brass and percussion from the first rehearsal. This arrangement's momentum depends entirely on that foundation staying rock-solid.
  • Treat the syncopated passages as written without leaning or over-articulating. The swing comes from precise timing, not from adding extra space.
  • Use the written-out ending to build confidence in closing drill sets and pep band performances; when students see the ending notated, they stop worrying and start executing.

How to use it

Program this for pep band situations where you want immediate crowd engagement and a tune your students will actually want to play. It also serves as a strong opener or closer for a marching competition set, giving you a piece that's recognizable enough to hold audience attention while still showing off your band's precision on a straightforward Grade 2.5 chart.

Skills your students will build

  • Playing syncopated rhythmic figures cleanly and in time
  • Balancing melody against rhythmic accompaniment
  • Executing clear articulation patterns within a consistent groove
  • Reading a full marching band score with balanced instrumentation

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